January 8, 2010
We’re very excited to report that we’ve launched our new Web site for 2010, which now also hosts this formerly stand-alone blog.
That means you’ll need to update your feed to the following:
We’re very grateful for your support and readership since this blog debuted in November 2008, and we hope you’ll continue to follow us at the new coordinates.
January 7, 2010
Company of Heaven, the booking agency for many of creative improvised music’s biggest names, will hold its second annual jazz festival at New York’s Cornelia Street Café this weekend as part of the festivities surrounding the 2010 Association of Performing Arts Presenters (APAP) Conference.
The Thirteenth Assembly, featuring Taylor Ho Bynum, Mary Halvorson, Jessica Pavone and Tomas Fujiwara, will be performing, as will Playscape Recordings artists, the Michael Musillami Trio + 3, Mario Pavone‘s Totem Quartet and George Schuller’s Circle Wide. A complete schedule of events for the three-night festival is available here.
January 7, 2010
Three of our clients’ ensembles, Darcy James Argue’s Secret Society (also playing two sets at Jazz Gallery the following night), the Mary Halvorson Trio and the William Parker Quartet, will be part of the highly anticipated 2010 NYC Winter JazzFest this weekend.
The two-night extravaganza will feature over 50 performances at five different venues in the West Village.
Argue and his acclaimed 18-piece big band will kick off Friday night’s festivities at (Le) Poisson Rouge at 6:20 p.m.
Parker’s all-star quartet, which features Lewis Barnes (trumpet), Rob Brown (alto saxophone) and Hamid Drake (drums), is a last-minute 10:30 p.m. addition to Saturday’s line-up at Sullivan Hall.
Ms. Halvorson’s longstanding trio, with bassist John Hébert and drummer Tomas Fujiwara (sitting in for Ches Smith), will also perform on Saturday night. Their set at Kenny’s Castaways is scheduled to start just after midnight.
January 7, 2010
Photo by GABURU
Drummer Tim Daisy’s Vox Arcana (pictured above) and guitarist Eric Hofbauer’s The Infrared Band are each in the studio this week recording music for release later in the year on the Allos Documents and Creative Nation Music labels, respectively.
The former is a Chicago-based trio featuring Daisy, clarinetist James Falzone and cellist Fred Lonberg-Holm and the latter is a Boston-based quartet featuring Hofbauer, saxophonist Kelly Roberge, bassist Sean Farias and drummer Miki Matsuki.
January 6, 2010
Photo by Lindsay Beyerstein
On Thursday, February 25th, acclaimed New York-based composer, and New England Conservatory alumnus, Darcy James Argue will return to Boston with his innovative 18-piece big band, Secret Society, for a performance at Regattabar. This will be the four year-old ensemble’s Boston debut, and first concert in New England since the release of its celebrated 2009 recording, Infernal Machines (New Amsterdam Records), which appeared on more than 70 best-of-the-year lists and was named Best Debut in the prestigious Village Voice Jazz Critics Poll.
“Argue’s tunes can command your attention anywhere,” writes Newsweek‘s Seth Colter Walls, “no small feat in our media-saturated world.” Critics called the record “a seven-track marvel of imagination” (David R. Adler, Time Out New York), “a fully integrated sound world as current as it is timeless” (Troy Collins, AllAboutJazz.com), “a nearly perfect creative synthesis between tradition and innovation” (John Eyles, BBC) and “a wickedly intelligent dispatch from the fading border between orchestral jazz and post-rock and classical minimalism” (Nate Chinen, New York Times). JazzTimes‘ Michael J. West adds, “With their haunting compositions and imaginative experiments, Argue’s Secret Society might do for jazz what Radiohead did for rock—and poach some of its audience, too.”
A Vancouver native, and former member of the Montreal jazz scene, Argue moved to New York in 2003 after earning a Master’s Degree in Boston while studying with legendary composer/arranger Bob Brookmeyer. Heralded for both his composing skills and his role as one of the jazz world’s most prominent bloggers, he has been profiled on National Public Radio (NPR) and in publications such as Newsweek and The Wall Street Journal. His rise to prominence in 2009 was further aided by notable performances around New York as well as in Germany, The Netherlands and Canada, where he conducted an all-star performance of a new, specially commissioned piece at the National Jazz Awards. The Boston Globe‘s Joan Anderman concludes, “Argue is that rare bird in any genre—an original thinker—but his real gift is in transposing big ideas into music that is as inviting as it is innovative.”
January 4, 2010
Dusted‘s Bill Meyer kicks off the new year in style with a review of Bill Dixon’s Tapestries for Small Orchestra (Firehouse 12 Records).
“He gives each element room to move,” Meyer writes, “and each personal/instrumental combination enough space for their interactions to be clearly perceived. Despite the size of the band on Tapestries (which includes Michel Côté on bass and contrabass clarinetist, cellist Glynis Lomon, bassist Ken Filiano, percussionist Warren Smith, and Rob Mazurek, Stephen Haynes, Graham Haynes, and Taylor Ho Bynum on cornets and trumpets), each contribution stands out so clearly that this music sounds even more transparent than that of Vade Mecum and Papyrus, the multi-volume recordings for two-to-four musicians that Dixon made during the 1990s. Each part, no matter how small, is played with conviction and sensitivity so to fit into the bigger picture.”
January 1, 2010
In his first post of the new decade, NPR jazz blogger Patrick Jarenwattananon, lamenting his lack of participation in the recently released Village Voice Jazz Critics Poll, writes about his ten favorite moments from the many jazz recordings he’s heard in 2009, including Darcy James Argue’s Infernal Machines (New Amsterdam) and Fay Victor’s The FreeSong Suite (Greene Avenue Music).
December 31, 2009
Photo by Dylan Morris
Tad Hendrickson’s Top 10 list is now posted at Spinner.com, and we’re pleased to report that the Joe Morris Quartet’s Today On Earth (AUM Fidelity) came out on top. Darcy James Argue’s Infernal Machines (New Amsterdam) placed sixth.
“Here with his old quartet of saxophonist Jim Hobbs, bassist Timo Shanko and drummer Luther Gray,” Hendrickson writes, “Morris is at his most eloquent. He writes for these guys as gracefully as he does for himself, conjuring heartfelt melodies. The group responds with revelatory musical voyages and strong interplay.”
“Oftentimes, I don’t really dig the mix of indie rock and jazz,” he continues in his review of Infernal Machines, “but the big-band compositions here are stunning, right up there with Maria Schneider. The guy is making his debut here with a seriously hot record.”
December 31, 2009
Multi-facted jazz industry veteran Neil Tesser writes about what he feels are the 10 most important jazz recordings of 2009 in his capacity as the increasingly prolific Chicago Jazz Music Examiner at Examiner.com
At number four on his list is Darcy James Argue’s Infernal Machines (New Amsterdam).
“Darcy James Argue’s 18-piece jazz orchestra had never made an album,” Tesser recalls, “for those outside of New York, the band existed primarily in rumor and reputation. Then comes this collection of seven brilliantly scored, utterly inventive, masterfully performed large-scale works, each brimming with high energy and new sounds, but also showing a firm command of the big-band tradition.”
He adds, “The Vancouver-born Argue studied with Bob Brookmeyer, a legendary figure in jazz orchestration, known first for his work with Gerry Mulligan in the 50s and then, in the 80s, with what is now the Vanguard Jazz Orchestra. But I hear in Argue’s work a more direct link to the man who provided the seeds for the Vanguard Jazz Orchestra – the composer and arranger Thad Jones, who rewrote the book on jazz composition in the 1970s. (And in my book, praise doesn’t come much higher than that.)“
December 30, 2009
Larry Blumenfeld writes about his favorite CDs of the year, including Darcy James Argue’s Infernal Machines (New Amsterdam), in today’s Wall Street Journal.
“Composer and big-band leader Darcy James Argue’s blog contains some of the most literate and invigorating writing about modern jazz and its context—free of cliché, wary of dogma, catholic about tastes, and fastidious about details. The same can be said of Mr. Argue’s compositions for the extraordinary ensemble he conducts. This debut studio recording reveals something fully matured: brimming with fresh ideas; elegant in its combination of disparate influences (from distorted electric guitar to magisterial wind-instrument arrangements to minimalist rhythms); and accomplished in execution.”