2010 NYC Winter JazzFest

January 7, 2010


Three of our clients’ ensembles, Darcy James Argue’s Secret Society (also playing two sets at Jazz Gallery the following night), the Mary Halvorson Trio and the William Parker Quartet, will be part of the highly anticipated 2010 NYC Winter JazzFest this weekend.

The two-night extravaganza will feature over 50 performances at five different venues in the West Village.

Argue and his acclaimed 18-piece big band will kick off Friday night’s festivities at (Le) Poisson Rouge at 6:20 p.m.

Parker’s all-star quartet, which features Lewis Barnes (trumpet), Rob Brown (alto saxophone) and Hamid Drake (drums), is a last-minute 10:30 p.m. addition to Saturday’s line-up at Sullivan Hall.

Ms. Halvorson’s longstanding trio, with bassist John Hébert and drummer Tomas Fujiwara (sitting in for Ches Smith), will also perform on Saturday night. Their set at Kenny’s Castaways is scheduled to start just after midnight.


Spinner: Top 10 Jazz Albums Of 2009

December 31, 2009

Photo by Dylan Morris

Tad Hendrickson’s Top 10 list is now posted at Spinner.com, and we’re pleased to report that the Joe Morris Quartet’s Today On Earth (AUM Fidelity) came out on top. Darcy James Argue’s Infernal Machines (New Amsterdam) placed sixth.

“Here with his old quartet of saxophonist Jim Hobbs, bassist Timo Shanko and drummer Luther Gray,” Hendrickson writes, “Morris is at his most eloquent. He writes for these guys as gracefully as he does for himself, conjuring heartfelt melodies. The group responds with revelatory musical voyages and strong interplay.”

“Oftentimes, I don’t really dig the mix of indie rock and jazz,” he continues in his review of Infernal Machines, “but the big-band compositions here are stunning, right up there with Maria Schneider. The guy is making his debut here with a seriously hot record.”


2009 Voice Jazz Critics’ Poll Results

December 29, 2009

In what essentially amounts to a second Christmas morning for jazz publicists and their clients, the anxiously awaited results of the prestigious Village Voice Jazz Critics Poll, as overseen by the esteemed Francis Davis, have been published.

99 writers voted this year, each submitting a Top 10 list (the ballots are then compiled using a point system to create an overall Top 50), as well as single picks in the Jazz Reissue of the Year, Best Debut, Best Vocal Album, Best Debut and Best Latin categories.

It gives us great pleasure to report that four of our clients’ releases were recognized in the Jazz Album of the Year category:

#04: Darcy James Argue, Infernal Machines (New Amsterdam)
#12: Bill Dixon, Tapestries For Small Orchestra (Firehouse 12 Records)
#17: Darius Jones Trio, Man’ish Boy (AUM Fidelity)
#35: David S. Ware, Shakti (AUM Fidelity)

We’re also extremely pleased to report that Infernal Machines took the Best Debut category in a landslide victory, with Man’ish Boy finishing a well-deserved second.

And, in what might be considered the biggest coup of all, The Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue Music) finished fourth in the Best Vocal Album category, only six votes behind the winner: this year’s critical darling, Gretchen Parlato. It’s very much worth pointing out that Fay’s record was the only finalist featuring all-original music. We couldn’t be prouder.

Congratulations to all the artists recognized and thanks again to all the critics who voted (check out the individual ballots here) and especially to Mr. Davis who makes the whole thing possible (and gracefully sums up the whole process here).


AAJ-NY: Joe Morris Quartet + Eri Yamamoto Trio

December 29, 2009

In addition to the results of the annual Best of 2009 feature, the January issue of AllAboutJazz-New York also includes new reviews of AUM Fidelity‘s latest releases, the Joe Morris Quartet’s Today On Earth and the Eri Yamamoto Trio’s In Each Day, Something Good (coming January 12th).

“Longtime Morris collaborators Jim Hobbs (saxophone), Timo Shanko (bass) and Luther Gray (drums) all shine throughout this record,” writes reviewer Wilbur MacKenzie of the former. “Hobbs’ solo on ‘Animal’ is nothing short of astounding in its abstract lyricism, replete with throaty vocalizations, dramatic use of negative space and a gradually expanding phrase structure. Morris’ compositions linger in the ear, as the ensemble dynamics in the improvisations always develop and enrich the evocative themes.”

“Yamamoto’s playing, unhurried and unforced, nevertheless demonstrates an active imagination and gift for melody,” declares Robert Iannapollo, “her improvisations avoid sweeping theatrical gestures in favor of focused introspection, in the spirit of someone who stops along the way to pore over the small details of everyday life that often elude those who hurry on. Displaying an intuitive rapport based on umpteen hours of on-the-job repartee, the trio recalls the close commerce and intimate atmosphere of Bill Evans’ classic group, the musical equivalent of an isosceles triangle.”


AAJ-NY: Best Of 2009

December 29, 2009

AllAboutJazz-New York published its annual Best of 2009 feature in the new January issue and we’re very proud to say our clients are well-represented.

Special congratulations to those recognized as the year’s best in the following categories:

Albums of the Year
Darcy James Argue, Infernal Machines (New Amsterdam Records)
Bill Dixon, Tapestries for Small Orchestra (Firehouse 12 Records)
David S. Ware, Shakti (AUM Fidelity)

Debut Albums
John Hébert, Byzantine Monkey (Firehouse 12 Records)
Darius Jones Trio, Man’ish Boy (A Raw & Beautiful Thing) (AUM Fidelity)

Vocal Releases
The Fay Victor Ensemble, The FreeSong Suite (Greene Avenue Music)

Large Ensemble Releases
Darcy James Argue, Infernal Machines (New Amsterdam Records)

Albums of the Year – Honorable Mention
Cleaver/Parker/Taborn, Farmers By Nature (AUM Fidelity)
Harris Eisenstadt, Canada Day (Clean Feed)
Garrison Fewell, Variable Density Sound Orchestra (Creative Nation Music)
KLANG, Tea Music (Allos Documents)
Michael Musillami Trio + 3, From Seeds (Playscape Recordings)


AAJ: Bill Dixon’s Tapestries For Small Orchestra (Firehouse 12)

December 28, 2009

In his new review, posted on Christmas Day, AllAboutJazz.com’s John Sharpe calls Bill Dixon’s Tapestries for Small Orchestra (Firehouse 12 Records) “undoubtedly one of the events of the year.”

“It follows hot on the heels of two other important orchestral works in 17 Musicians in Search of a Sound: Darfur (AUM Fidelity, 2008) and Exploding Star Orchestra (Thrill Jockey, 2007),” he continues, “but surpasses both through the insight 109 minutes of music and a half hour documentary film affords into Dixon’s universe. Each track is a treasure trove of cohesive detail executed to wonderful effect. While full explication is beyond the scope of this review, this is essential listening for anyone interested in the state of contemporary jazz orchestration.”


New York Times: Darius Jones Trio’s Man’ish Boy (AUM Fidelity)

December 28, 2009

Nate Chinen reviews alto saxophonist/composer Darius Jones’ debut, Man’ish Boy (AUM Fidelity) featuring Cooper-Moore (piano and diddley-bow) and Rakalam Bob Moses (drums), in today’s New York Times.

“Darius Jones has the capacity for a proud, rafters-raising tone on alto saxophone,” he writes, “and as an improviser he’s fearless but disciplined. He’s fond of the sustained, piercing cry, often pinching his intonation for dramatic effect. And rhythmically he rolls in waves, an approach that brilliantly complements Mr. Moses, whose contribution throughout this album is masterly. Together with the adaptability of Cooper-Moore—who plays piano as well as diddley bow, a single-stringed instrument of African origin and Southern blues connotation—it adds up to a powerfully soulful blend.”