Today is the official street date for violist/composer Jessica Pavone‘s latest recording, Songs of Synastry and Solitude (Tzadik). This release is part of the label’s Oracles series, which celebrates “the diversity and creativity of women in experimental music making.”
Inspired by the simple beauty of American folk songs, and singer/songwriter Leonard Cohen‘s Songs of Love and Hate (Columbia), this recording features 11 of Ms. Pavone’s original compositions for string quartet (violin, viola, cello and double bass) performed by members of the Toomai String Quintet.
Ms. Pavone and the group will celebrate the release of the record on Tuesday, November 10th with a live performance at Roulette in New York.
“Violist and composer Jessica Pavone has been a fixture on the New York scene for over a decade. Songs of Synastry and Solitude is Pavone’s highest profile release as a composer to date, demonstrating her flair as a lyrical writer and supple orchestrator. A straightforward contemplation on the power of song, Songs of Synastry and Solitude is a timeless collection of elegant themes from a young composer of significant merit.”
—Troy Collins, AllAboutJazz.com
“…a set of 11 original compositions that are emotionally weighty and dark, yet ultimately uplifting. While there is no direct stylistic or thematic link to Cohen’s songs, Pavone communicates the same sense of inevitability and universal suffering as the singer does, and leaves the listener with the same sense that there is hope in living—if only hope that daily suffering will be alleviated by the joy of song, love, spiritual enlightenment, and other forms of grace. This is measured, deliberate music that might be a love song, a prayer or just an acknowledgment that, as John Lee Hooker and Van Morrison once sang, you’ll never get out of these blues alive.”
—James Hale, Jazz Chronicles
“In this release, she has presented compositions that are simple and stately, with a sombre grace that stands in wary contrast to Cohen’s finite pronouncements. The thoroughness and narrative direction of a songwriter inform her work, much as a good folk song would…pieces are performed with sensitivity and rigor by members of the Toomai String Quintet, projecting a sober view softened occasionally by a considered wistfulness. Pavone’s music reflects an austere but tender landscape where watchfulness orders reality.”
—Nilan Perera, Exclaim!
“These 11 instrumentals are songs, too, in scale and shape, wordless distillations of feeling and reflection, brief musical narratives of relationship, star-blest or star-crossed…it’s a bittersweet chamber music evoking accord or aloneness that she is after, simply rendered and neatly crafted. The inclusion of double bass heightens both mellowness and melancholy, and it serves as a pivot for elegant dance rhythms that crop up among the wistful melodies.”
—Julian Cowley, The Wire