A Blog Supreme: Ten Great Moments From Jazz Recordings In 2009

January 1, 2010

In his first post of the new decade, NPR jazz blogger Patrick Jarenwattananon, lamenting his lack of participation in the recently released Village Voice Jazz Critics Poll, writes about his ten favorite moments from the many jazz recordings he’s heard in 2009, including Darcy James Argue’s Infernal Machines (New Amsterdam) and Fay Victor’s The FreeSong Suite (Greene Avenue Music).


2009 Voice Jazz Critics’ Poll Results

December 29, 2009

In what essentially amounts to a second Christmas morning for jazz publicists and their clients, the anxiously awaited results of the prestigious Village Voice Jazz Critics Poll, as overseen by the esteemed Francis Davis, have been published.

99 writers voted this year, each submitting a Top 10 list (the ballots are then compiled using a point system to create an overall Top 50), as well as single picks in the Jazz Reissue of the Year, Best Debut, Best Vocal Album, Best Debut and Best Latin categories.

It gives us great pleasure to report that four of our clients’ releases were recognized in the Jazz Album of the Year category:

#04: Darcy James Argue, Infernal Machines (New Amsterdam)
#12: Bill Dixon, Tapestries For Small Orchestra (Firehouse 12 Records)
#17: Darius Jones Trio, Man’ish Boy (AUM Fidelity)
#35: David S. Ware, Shakti (AUM Fidelity)

We’re also extremely pleased to report that Infernal Machines took the Best Debut category in a landslide victory, with Man’ish Boy finishing a well-deserved second.

And, in what might be considered the biggest coup of all, The Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue Music) finished fourth in the Best Vocal Album category, only six votes behind the winner: this year’s critical darling, Gretchen Parlato. It’s very much worth pointing out that Fay’s record was the only finalist featuring all-original music. We couldn’t be prouder.

Congratulations to all the artists recognized and thanks again to all the critics who voted (check out the individual ballots here) and especially to Mr. Davis who makes the whole thing possible (and gracefully sums up the whole process here).


AAJ-NY: Best Of 2009

December 29, 2009

AllAboutJazz-New York published its annual Best of 2009 feature in the new January issue and we’re very proud to say our clients are well-represented.

Special congratulations to those recognized as the year’s best in the following categories:

Albums of the Year
Darcy James Argue, Infernal Machines (New Amsterdam Records)
Bill Dixon, Tapestries for Small Orchestra (Firehouse 12 Records)
David S. Ware, Shakti (AUM Fidelity)

Debut Albums
John Hébert, Byzantine Monkey (Firehouse 12 Records)
Darius Jones Trio, Man’ish Boy (A Raw & Beautiful Thing) (AUM Fidelity)

Vocal Releases
The Fay Victor Ensemble, The FreeSong Suite (Greene Avenue Music)

Large Ensemble Releases
Darcy James Argue, Infernal Machines (New Amsterdam Records)

Albums of the Year – Honorable Mention
Cleaver/Parker/Taborn, Farmers By Nature (AUM Fidelity)
Harris Eisenstadt, Canada Day (Clean Feed)
Garrison Fewell, Variable Density Sound Orchestra (Creative Nation Music)
KLANG, Tea Music (Allos Documents)
Michael Musillami Trio + 3, From Seeds (Playscape Recordings)


Fay Victor Makes Some Of PopMatters.com’s Best Jazz Of 2009

December 16, 2009

Will Layman and Andrew Zender joined forces for this year’s edition of PopMatters.com’s The Best Jazz of 2009 feature, choosing 14 recordings divided into three categories: New Piano Trios, New Groups/New Sounds and Tradition Reinterpreted.

The third category is where you’ll find our own Fay Victor, whose release, The FreeSong Suite (Greene Avenue Music), made the cut on a best-of list that also includes critical favorites from Ben Allison, John Hollenbeck, Vijay Iyer, Steve Lehman and Henry Threadgill among others.

“She is arguably a contemporary version of Betty Carter or Abbey Lincoln,” they write, “yet she is new, too. Although she’ll have some listeners scratching their heads as she lets her story-songs meander, others will find completely irresistible her style of coiling up a melody and letting it spiral out into unpredictable directions.”

In his review earlier this year, Zender also noted Ms. Victor’s “challenging and rewarding world of captivating vocal work and stirring spontaneity,” calling her “a musician and composer who is rewriting the rules of vocal jazz.”


Jason Crane’s Top 10 Jazz CDs Of 2009

December 9, 2009

We’re incredibly pleased to report that The Jazz Session‘s Jason Crane has chosen three of our clients’ releases for his Top 10 list for 2009.

The popular interviewer/podcast host, and columnist for PopDose.com, selected the Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue Music) as his top pick for the year, followed by the Darius Jones Trio’s Man’ish Boy (AUM Fidelity) and The Fully Celebrated’s Drunk on the Blood of the Holy Ones (AUM Fidelity) at numbers 3 and 4, respectively.

Crane, who published his list in the format of his ballot for the Village Voice‘s Jazz Critics Poll, also chose Ms. Victor’s record as Best Vocal Album and Jones’ record as Best Debut CD.


AAJ: Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue Music)

November 23, 2009

AllAboutJazz.com’s Managing Editor John Kelman posted his review of vocalist/composer Fay Victor‘s latest release, The FreeSong Suite (Greene Avenue Music), over the weekend.

“Once again,” he writes, “Victor’s soulful, emotive delivery combines with avant-tinged invention, placing her alongside great vocal innovators like Betty Carter, Jeanne Lee, Sheila Jordan…a truly creative singer with the chops to accomplish whatever she wants, but the good taste to ensure that substance always trumps style.”

He adds, “With an ensemble that twists and turns the music in response to, and as a catalyst for, Victor’s own unbound improvisational acumen, The Freesong Suite is a vocal album that stands well above the pack; a welcome respite from the unwieldy preponderance of unimaginative vocal jazz albums hitting the market.”


Remembering 2009

November 23, 2009

Image from TheDailyGreen.com
The latest can to be kicked around the jazz blogosphere (and beyond) is what records make the cut as the best of the decade.

As much as we enjoy the opportunity to reminisce about our first seven-plus years in business, and the 135 recordings we promoted for our clients in that span, we’re not quite ready to dip a toe in that nearly bottomless pool just yet.

But, we’re more than happy to shine a light on the recordings we promoted for our clients in 2009 (in order of their release).

Hopefully at least a few of these will end up on your year’s best list or at least your list for Santa.

David S. Ware
Shakti (AUM Fidelity)

Gerald Cleaver/William Parker/Craig Taborn
Farmers By Nature (AUM Fidelity)

The Ayn Inserto Jazz Orchestra
Muse (Creative Nation Music)

Garrison Fewell
Variable Density Sound Orchestra (Creative Nation Music)

Darcy James Argue’s Secret Society
Infernal Machines (New Amsterdam Records)

Michael Musillami Trio + 3
From Seeds (Playscape Recordings)

The Fully Celebrated
Drunk On The Blood Of The Holy Ones (AUM Fidelity)

John Hébert
Byzantine Monkey (Firehouse 12 Records)

Carl Maguire’s Floriculture
Sided Silver Solid (Firehouse 12 Records)

Joe Morris/Petr Cancura/Luther Gray
Wildlife (AUM Fidelity)

KLANG
Tea Music (Allos Documents)

Taylor Ho Bynum & SpiderMonkey Strings
Madeleine Dreams (Firehouse 12 Records)

Fay Victor Ensemble
The FreeSong Suite (Greene Avenue Music)

Fonda/Stevens Group
Memphis (Playscape Recordings)

Harris Eisenstadt
Canada Day (Clean Feed)

Darius Jones Trio
Man’ish Boy (AUM Fidelity)

Joe Morris Quartet
Today On Earth (AUM Fidelity)

Jessica Pavone
Songs Of Synastry And Solitude (Tzadik)

Bill Dixon
Tapestries For Small Orchestra (Firehouse 12 Records)