January 7, 2010
Company of Heaven, the booking agency for many of creative improvised music’s biggest names, will hold its second annual jazz festival at New York’s Cornelia Street Café this weekend as part of the festivities surrounding the 2010 Association of Performing Arts Presenters (APAP) Conference.
The Thirteenth Assembly, featuring Taylor Ho Bynum, Mary Halvorson, Jessica Pavone and Tomas Fujiwara, will be performing, as will Playscape Recordings artists, the Michael Musillami Trio + 3, Mario Pavone‘s Totem Quartet and George Schuller’s Circle Wide. A complete schedule of events for the three-night festival is available here.
August 21, 2009
Photo by Juan-Carlos Hernandez
Bassist/composer Mario Pavone will unveil his latest ensemble, Quartet Arc, this weekend at back-to-back gigs in New York.
The first concert will be Saturday at The Stone followed by a Sunday night gig at Cornelia Street Cafe.
This new configuration of frequent Pavone collaborators will perform new material, as well as new arrangements of older music from Pavone’s vast catalog.
Quartet Arc features tenor saxophonist Tony Malaby, trumpeter Dave Ballou and drummers Tyshawn Sorey (Saturday only) and Tom Rainey (Sunday only).
August 7, 2009
Photo by Juan-Carlos Hernandez
Eminent bassist/composer Mario Pavone will unveil his latest ensemble, Quartet Arc, at back-to-back gigs in New York later this month.
The band will perform on Saturday, August 22nd at The Stone and on Sunday, August 23rd at Cornelia Street Cafe (PLEASE NOTE: this is a rescheduling of the previously announced/postponed date at The Local 269).
Quartet Arc, a collection of frequent Pavone collaborators in a new configuration, features tenor saxophonist Tony Malaby, trumpeter Dave Ballou and drummers Tyshawn Sorey (August 22nd only) and Tom Rainey (August 23rd only).
August 5, 2009
Despite the fact that we’re already in the first week of August (the eighth month on the calendar for those of you scoring at home), the best-of lists for the first half of the year continue to trickle in.
This has been a pretty popular new trend this year, especially with bloggers, and late or no we’re not complaining, especially when our clients are still appearing on them.
And none of our clients has been found quite so list-worthy as Darcy James Argue, whose May debut, Infernal Machines (New Amsterdam), continues to capture the hearts and minds of critics everywhere.
That includes both the Ottawa Citizen‘s Peter Hum and Village Voice and DownBeat contributor Jim Macnie, who also chose John Hébert’s Byzantine Monkey (Firehouse 12), the Taylor Ho Bynum Sextet’s Asphalt Flowers Forking Paths (hatOLOGY) and the Mario Pavone Double Tenor Quintet’s Ancestors (Playscape Recordings) among his favorites, though technically the last two actually came out in 2008.
As always, we thank all our media contacts for their ongoing support of independent creative improvised music.
July 22, 2009
Photo by Juan-Carlos Hernandez
UPDATE: The August 23rd date has been rescheduled for Cornelia Street Cafe.
Earlier this month we announced forthcoming back-to-back NYC dates in August by eminent bassist/composer Mario Pavone‘s new band, Quartet Arc.
The group features tenor saxophonist Tony Malaby, trumpeter Dave Ballou and drummer Tyshawn Sorey.
Unfortunately, we’ve just been informed that while the first date, one month from tonight at The Stone, will happen as planned, the August 23rd concert at The Local 269 has been indefinitely postponed.
The venue has decided to move the Freestyle Music Series to a different night of the week starting immediately.
Please adjust your calendar as appropriate.
July 2, 2009
Photo by Juan Carlos Hernandez
Eminent bassist/composer Mario Pavone will perform in New York with his newest ensemble, Quartet Arc, at The Stone on Saturday, August 22nd and The Local 269 on Sunday, August 23rd. These concerts mark the first-ever performances by this configuration of frequent Pavone collaborators, which performs new material as well as new arrangements of older music from Pavone’s vast catalog. Quartet Arc features tenor saxophonist Tony Malaby, trumpeter Dave Ballou and drummers Tyshawn Sorey (August 22nd only) and Tom Rainey (August 23rd only).
“On his day,” declared veteran jazz reviewer Brian Morton in Point of Departure, “Mario Pavone is one of the very best—and when on his game, by far the best—small-group composer/leaders working on the East Coast.” Critics have called him “a smart composer” (Nate Chinen, New York Times) and “a protean bassist” (Paul Blair, Hot House) who “never fails to implant an effective hook” (Bill Shoemaker, DownBeat) and “continues to move the tradition forward with every record” (John Kelman, AllAboutJazz.com). His music has been described as “exciting and stimulating” (Jay Collins, Cadence), “sensitive and probing” (Owen McNally, Hartford Courant) and “full of smart angular swagger” (Michael Rosenstein, Signal to Noise).
Pavone has spent the past four decades defining the cutting edge of jazz, both as a sideman to legendary innovators and the leader of groups featuring some of today’s most respected young improvisers. As busy as ever at nearly 70 years old, he released two notable records in 2008: Trio Arc, featuring Paul Bley and Matt Wilson, and Ancestors, featuring his Double Tenor Quintet with Malaby and Jimmy Greene. So far this year he’s also performed with groups such as the Connecticut Improvising Composers Project and his intergenerational trio with Sorey and saxophonist Pete Robbins, which will perform at The Stone on August 21st. He was also awarded a 2009 New Jazz Works Grant from Chamber Music America.
Learn more at http://www.mariopavone.com
June 8, 2009
After an extended layover on the floor of the Gouverneur, NY post office, the Apr/May/Jun 2009 issue of Cadence arrived to subscribers this past week, and with it a number of enthusiastic reviews of our clients’ recent recordings.
Here are a few highlights:
David Kane calls the Mario Pavone Double Tenor Quintet’s Ancestors (Playscape Recordings) “a satisfying farrago of compositional and performance delights” and “a challenging set of captivating original tunes.” He adds, “This is aggro music with enough fire and drive to fuel the energy needs of a small African nation…forward looking, intelligently conceived aggressive jazz.”
In his review of the Mary Halvorson Trio’s debut, Dragon’s Head (Firehouse 12 Records), Philip McNally writes, “In her notes to this recording she mentions, surprisingly, that this is the first time she has written for the standard guitar trio. I find it hard to believe, as Dragon’s Head is so accomplished a recording. This is post-Bill Frisell guitar, a new voice on the instrument, and for that alone you should hear it.”
“It’s an adventurous, unexpected tribute,” declares David Dupont in his review of the Yoon Sun Choi/Jacob Sacks Duo’s Imagination: The Music of Joe Raposo (Yeah Yeah Records). “Choi impresses equally, whether clowning around and summoning inner animations or singing heartfelt lyrics. All this sets the lyrics in striking relief, wrenching them from their familiar context.”
“Petit Oiseau is an album that simultaneously celebrates jazz tradition and looks beyond it,” proclaims Michael Coyle in his review of the William Parker Quartet’s latest release. “This quartet has been playing together since the turn of the milennium and has that kind of rapport where they complete on another’s thoughts and finish one another’s sentences. Each member contributes sensitively and powerfully to the ensemble sound.”