hour: Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue Music)

November 20, 2009

Mike Chamberlain reviews the Fay Victor Ensemble‘s new release, The FreeSong Suite (Greene Avenue Music), in this week’s issue of Montreal’s arts weekly, hour.

“What you hear on this album is raw and quirky and powerful and full of feeling and surprise and particularities that reflect universal human truths,” he writes. “One of the unique listening experiences of this or any other year.”

Ms. Victor will be performing with multiple ensembles at this weekend’s Vision Festival fundraiser, 28 Hours of Innovative Art, and on Monday at The 55 Bar with her group, Fay Victor’s Jazz Vault.


The Wire Posts 2008 Rewind Results Online

March 4, 2009


The Wire
has posted the results of its 2008 Rewind in the Archive section of its Web site.

The results, which originally ran in the magazine’s January 2009 issue, include the following client releases:

Top 50 Records:
Bill Dixon, 17 Musicians In Search Of A Sound (Arts for Art/AUM Fidelity)

Jazz & Improv:
Mary Halvorson Trio, Dragon’s Head (Firehouse 12) 
William Parker, Double Sunrise Over Neptune (Arts for Art/AUM Fidelity)


Three AUM Fidelity Titles On Culture Catch’s Top 10 Avant-Jazz Albums of 2008

January 6, 2009

 aum-logo-webIn 2008, AUM Fidelity, in association with Arts for Art, Inc., released a series of three live recordings from Vision Festival XII in 2007. Each documented a large-scale piece, written by Roy Campbell, Bill Dixon and William Parker respectively, commissioned by, and premiered at, the festival.

All three of these releases are included on Culture Catch’s Best New Avant-Jazz Albums of 2008 list, written by Downtown Music Gallery’s Bruce Gallanter, who included a blurb about each.

On Roy Campbell’s Akhenaten Suite:
The sound of this quintet (which also includes violinist Billy Bang, vibraphonist Bryan Carrott, bassist Hill Greene, and drummer Zen Matsuura) is much like an early ’70s Blue Note date, always swinging infectiously. This was one of the most enchanting sets of last year’s Vision Festival and it still sounds wonderful on disc.

On Bill Dixon’s 17 Musicians In Search Of A Sound: Darfur:
I’ve caught professor/composer Bill Dixon on a number of occasions; sometimes his group is just great and sometimes they are amazing. This set was by far the best I’ve heard from him. 

On William Parker’s Double Sunrise Over Neptune:
An outstanding work and perhaps Parker’s finest moment yet!


2008 Village Voice Jazz Poll

December 31, 2008

The results of the 2008 Village Voice Jazz Poll are in and we’re pleased to report that five of our clients’ releases made the top 30 in the Jazz Album of the Year category.

#16: William Parker Quartet, Petit Oiseau (AUM Fidelity)
#21: Mary Halvorson Trio, Dragon’s Head (Firehouse 12 Records) 
#24: Mario Pavone, Trio Arc (Playscape Recordings)
#27: William Parker, Double Sunrise Over Neptune (AUM Fidelity)
#29: Bill Dixon, 17 Musicians In Search Of A Sound: Darfur (AUM Fidelity)

Congratulations are also in order for the following releases included on individual voters’ top 10 lists as part of the polling.

Jason Adasiewicz, Rolldown (482 Music)
Roy Campbell, Akhenaten Suite (AUM Fidelity)
Yoon Sun Choi/Jacob Sacks, Imagination (Yeah Yeah Records)
Nicole Mitchell, Xenogenesis Suite (Firehouse 12 Records)
Mario Pavone Double Tenor Quintet, Ancestors (Playscape Recordings)
Eri Yamamoto, Duologue (AUM Fidelity)
Eri Yamamoto Trio, Redwoods (AUM Fidelity)


AAJ-NY’s Best Of 2008

December 30, 2008

We’re pleased to report that several of our clients are honored in AllAboutJazz-New York‘s Best of 2008 feature in the January 2009 issue. Please find the details below.

The complete issue, also featuring a cover story on William Parker, is available free in venues and jazz-related sites all over New York and downloadable as a PDF by clicking here.

Congratulations to all the musicians, labels and organizations named among the year’s best.

Record Labels of the Year:
AUM Fidelity

Performances of the Year:
Billy Bang/Kidd Jordan/William Parker/Hamid Drake @ Vision Festival XIII
William Parker’s Inside Songs of Curtis Mayfield @ Vision Festival XIII

Albums of the Year:
Mario Pavone, Trio Arc (Playscape Recordings)

Vocal Releases of the Year:
Yoon Sun Choi/Jacob Sacks, Imagination: The Music of Joe Raposo (Yeah Yeah Records) 

Tribute Recordings of the Year:
Yoon Sun Choi/Jacob Sacks, Imagination: The Music of Joe Raposo (Yeah Yeah Records) 

Debut Albums of the Year:
Mary Halvorson Trio, Dragon’s Head (Firehouse 12 Records) 

Honorable Mention:
Bill Dixon, 17 Musicians In Search Of A Sound: Darfur (Arts for Art/AUM Fidelity) 
Garrison Fewell/Eric Hofbauer, The Lady of Khartoum (Creative Nation Music)
Nicole Mitchell, Xenogenesis Suite: A Tribute To Octavia Butler (Firehouse 12 Records)
William Parker, Double Sunrise Over Neptune (Arts for Art/AUM Fidelity)
William Parker Quartet, Petit Oiseau (AUM Fidelity)
George Schuller’s Circle Wide, Like Before, Somewhat After (Playscape Recordings)


Mary Halvorson Trio’s Dragon’s Head Among JazzTimes’ Top 50 Critics Picks Of 2008

December 19, 2008

The votes are in and the Mary Halvorson Trio’s Dragon’s Head (Firehouse 12 Records) has earned a spot on JazzTimes‘ Top 50 Critics Picks for 2008.

The list is compiled from all the Top 10 lists submitted by the magazine’s editors and contributing writers.  

William Parker’s Double Sunrise Over Neptune (Arts for Art/AUM Fidelity) and Mario Pavone’s Trio Arc (Playscape Recordings) were also nominated by multiple voters.

Congratulations to all the artists and labels who were recognized as among the year’s best.


William Parker’s Double Sunrise Over Neptune A 2008 AllMusic Favorite

December 9, 2008

The staff at AllMusic (AMG) has chosen William Parker’s orchestral release, Double Sunrise Over Neptune (Arts for Art/AUM Fidelity), as one of its Favorite Jazz Albums of 2008.

Earlier in the year, in his review of the record for the site, AMG’s Michael G. Nastos wrote, “While each project reaches ever higher levels, this recording from the twelfth annual Vision Festival in New York City might be close to his zenith.  The music is as stunning as any Parker has devised in his career…”