Previewing Our Clients’ Fall Performances

August 21, 2009
Mary Halvorson Trio by Peter Gannushkin

Mary Halvorson Trio by Peter Gannushkin

Here’s a preview of our clients’ Fall 2009 live dates in support of recent, current or forthcoming recordings.

[Updated 9/12/09]

Darcy James Argue’s Secret Society:

09/17 :: New Languages Festival (Brooklyn, NY)
09/18 :: The Jazz Gallery (New York, NY)
10/19 :: Brooklyn Big Band Bonanza @ The Bell House (Brooklyn, NY)
11/25 :: Iridium Jazz Club (New York, NY)

AUM Fidelity:

09/11 :: Joe Morris’ Wildlife @ Outpost 186 (Cambridge, MA)
10/14 :: Joe Morris Quartet @ The Local 269 (New York, NY)
10/15 :: David S. Ware/Darius Jones Trio/William Parker & Little Huey Creative Music Orchestra @ Abrons Arts Center (New York, NY)
11/20 :: Darius Jones Trio @ Firehouse 12 (New Haven, CT)

Taylor Ho Bynum:

09/19 :: Taylor Ho Bynum & SpiderMonkey Strings @ The Jazz Gallery (New York, NY)
09/25 :: Positive Catastrophe @ New Languages Festival (Brooklyn, NY)

Creative Nation Music:

09/05 :: Fewell/Hofbauer Duo @ Outpost 186 (Cambridge, MA)
09/23 :: Eric Hofbauer & The Infrared Band @ Cambridge YMCA Theater (Cambridge, MA)
09/30 :: Fewell/Hofbauer Duo @ OM (Cambridge, MA)
10/03 :: Garrison Fewell’s Variable Density Sound Orchestra @ Outpost 186 (Cambridge, MA)

Harris Eisenstadt & Canada Day:

09/16 :: Clean Feed Fest IV @ Cornelia Connelly Center (New York, NY)
10/24 :: Cornelia Street Cafe (New York, NY)
10/25 :: Cornelia Street Cafe (New York, NY)
10/27 :: York University (Toronto, ON)
10/27 :: Tranzac (Toronto, ON)
10/28 :: Hallwalls Contemporary Arts Center (Buffalo, NY)
10/29 :: The Bop Shop (Rochester, NY)

James Falzone’s KLANG:

08/30 :: Chicago Jazz Festival preview @ Hungry Brain (Chicago, IL)
08/31 :: Chicago Jazz Festival preview @ Skylark (Chicago, IL)
09/06 :: Chicago Jazz Festival (Chicago, IL)
09/23 :: The Hideout (Chicago, IL)
11/18 :: Thomas Moore College (Covington, KY)
11/19 :: Bela Dubby (Cleveland, OH)
11/20 :: Kerrytown Concert House (Ann Arbor, MI)
11/21 :: The Sugar Maple (Milwaukee, WI)
11/22 :: The Hungry Brain (Chicago, IL)

Firehouse 12 Records:

09/19 :: Taylor Ho Bynum & SpiderMonkey Strings @ The Jazz Gallery (New York, NY)
09/25 :: John Hébert’s Byzantine Monkey @ Cornelia Street Cafe (New York, NY)
09/26 :: John Hébert’s Byzantine Monkey @ Cornelia Street Cafe (New York, NY)

Mary Halvorson/Jessica Pavone Duo:

10/25 :: Studio Odeon (Bruxelles, Belgium)
10/27 :: Auditorium Parco della Musica (Rome, Italy)
10/29 :: Vooruit (Gent, Belgium)
10/31 :: Botticino Jazz Festival (Botticino, Italy)

Mary Halvorson Trio:

12/07 :: Cafe Wilhelmina (Eindhoven, The Netherlands)
12/08 :: Stadtgarten (Cologne, Germany)
12/09 :: Alter Schl8hof (Wels, Austria)
12/11 :: Jazz Dock (Prague, Czech Republic)
12/13 :: Venue TBA, (Ueberlingen, Germany)
12/14 :: The Vortex Jazz Club (London, England)
12/16 :: Rote Fabrik (Zurich, Switzerland)

Mary Halvorson Quintet:

09/11 :: International House (Philadelphia, PA)
12/02 :: Barbès (Brooklyn, NY)
12/04 :: Firehouse 12 (New Haven, CT)

Jessica Pavone & The Toomai String Quintet:

11/10: Roulette (New York, NY)

Playscape Recordings

10/15 :: The Fonda/Stevens Group in Bucharest, Romania
10/16 :: The Fonda/Stevens Group in Sibiu, Romania
10/17 :: The Fonda/Stevens Group in Dunajska Streda, Slovakia
10/19 :: The Fonda/Stevens Group in Budapest, Hungary
10/20 :: The Fonda/Stevens Group in Budapest, Hungary
10/21 :: The Fonda/Stevens Group in Muenster, Germany
10/22 :: The Fonda/Stevens Group in Katowice, Poland
10/23 :: The Fonda/Stevens Group in Katowice, Poland
10/24 :: The Fonda/Stevens Group in Nurnberg, Germany
10/25 :: The Fonda/Stevens Group in Brussels, Belgium
10/26 :: The Fonda/Stevens Group in Neustadt, Germany
10/27 :: The Fonda/Stevens Group in Bergneustadt, Germany
10/28 :: The Fonda/Stevens Group in Dornbirn, Austria
10/29 :: The Fonda/Stevens Group in Leverkeusen, Germany
10/30 :: The Fonda/Stevens Group in Oberengstringen, Switzerland
10/31 :: The Fonda/Stevens Group in Saignelegier, Switzerland

Fay Victor Ensemble:

10/01 :: Roulette (New York, NY)
10/04 :: The Rotunda (Philadelphia, PA)

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DownBeat Puts Darcy James Argue In The Hot Box

August 11, 2009


We know what you’re thinking, “Nobody puts Darcy James Argue in a Hot Box!”

And normally you’d be right, but DownBeat is the exception. The September issue finds Argue’s acclaimed debut, Infernal Machines (New Amsterdam Records), entered into the Thunderdome-like monthly reviews feature called The Hot Box.

Okay, it’s not quite that extreme, as all four CDs that enter usually get to leave as well (often with a limp), but it does involve four critics holding four buzzed-about new records to a higher standard in what might be more accurately compared to a Senate confirmation hearing.

Do 33 year-old steampunk big band leaders have a wiser and more empathetic insight into the major issues of the day? That’s a question for another time, but we can report that our hero fared well.

“With his throbbing beats, drones, brass choirs, space-age eeriness and billowing clouds of sound, Argue is clearly an original,” declared Paul de Barros in one of the capsule reviews.

In the featured review, Jim Macnie wrote, “There’s a critical consensus around this disc, but few pundits are stressing just how gorgeous Argue’s motifs are. Infernal Machines is addictive not only for its architecture, but for its fetching way with color…we’ll be remembering it for quite some time.”

Argue and the group will next perform on back-to-back nights in September at the New Languages Festival and The Jazz Gallery. Stay tuned for more dates in October and November to be announced soon!


More Best Of 2009 So Far Lists

August 5, 2009

Despite the fact that we’re already in the first week of August (the eighth month on the calendar for those of you scoring at home), the best-of lists for the first half of the year continue to trickle in.

This has been a pretty popular new trend this year, especially with bloggers, and late or no we’re not complaining, especially when our clients are still appearing on them.

And none of our clients has been found quite so list-worthy as Darcy James Argue, whose May debut, Infernal Machines (New Amsterdam), continues to capture the hearts and minds of critics everywhere.

That includes both the Ottawa Citizen‘s Peter Hum and Village Voice and DownBeat contributor Jim Macnie, who also chose John Hébert’s Byzantine Monkey (Firehouse 12), the Taylor Ho Bynum Sextet’s Asphalt Flowers Forking Paths (hatOLOGY) and the Mario Pavone Double Tenor Quintet’s Ancestors (Playscape Recordings) among his favorites, though technically the last two actually came out in 2008.

As always, we thank all our media contacts for their ongoing support of independent creative improvised music.


Darcy James Argue To Perform At New Languages Festival & Jazz Gallery In September

July 21, 2009
Photo by Ben Anaman

Photo by Ben Anaman

This September, composer/conductor Darcy James Argue and his 18-piece steampunk big band, Secret Society, will perform in New York on two consecutive nights.

On Thursday, September 17th at 11:30 p.m., the group will appear at the fifth annual New Languages Festival at McCarren Hall in Williamsburg, Brooklyn. The following night, at 9:00 and 10:30 p.m, Argue and the ensemble will return to Manhattan’s Jazz Gallery, which commissioned two of the tracks heard on its acclaimed debut, Infernal Machines (New Amsterdam). These concerts will mark the first-ever performances of Argue’s latest composition.

Critics have credited Argue with creating “a nearly perfect creative synthesis between tradition and innovation” (John Eyles, BBC.com), “a fully integrated sound world as current as it is timeless” (Troy Collins, AllAboutJazz.com) and “startling and satisfying original music played by some very impressive musicians” (Michael G. Nastos, AllMusic.com).

“We’re just past the halfway point, and the acclaimed young bandleader’s Infernal Machines is 2009’s consensus jazz disc,” adds the Village Voice‘s Jim Macnie. “A fanfare here, a freak-out there, enough dark hues and ingenious oddities to woo a twenty-something audience that doesn’t know or care about the ancient stack o’ riffs that big bands were built on; it’s all here.”

A native of Vancouver, and former member of the Montreal jazz scene, Argue moved to New York in 2003 after earning a Master’s Degree in Boston while studying with legendary composer Bob Brookmeyer. Since the debut of Secret Society in 2005, he has become one of the most visible and respected musicians in New York, as well as one of the jazz world’s most prolific and influential bloggers.

His recent career highlights include profiles in publications such as the New York ObserverNewsweek, the Wall Street Journal and the Village Voice, three nominations in this year’s Jazz Journalists Association Awards and performances at such notable European venues as the Bimhuis in Amsterdam and the legendary Moers Festival in Germany. Learn more at http://secretsociety.typepad.com


iC Media Poll Results: Part 2

July 20, 2009

Print publications

Today we explore the results from the second of five sections of our recent survey of 50 prominent jazz writers and editors.

This section, called Web and print habits, asked about the jazz-related publications, blogs and Web sites these professionals are reading, how they access them, and if what they read there impacts their own work.

As shown in the chart above, we first asked respondents to indicate which of the eight major jazz magazines they read on a regular basis. The list, which featured English-language publications only, included AllAboutJazz-New York, Cadence, DownBeat, Jazz Improv, Jazziz, JazzTimes, Signal To Noise and The Wire. We also made it possible for people to write-in any other publications as well.

The clear winner was AllAboutJazz-New York with 54.5%. The runner-up was Signal to Noise with 51.5%, followed by DownBeat and JazzTimes, which each scored 48.5%. The Wire (39.4%) and Cadence (18.2%) were next, while Jazziz and Jazz Improv each scored less than 10%.

One write-in vote each was cast for Cuadernos de JazzCoda, Improjazz, Jazz Journal and Ritmos del Mundo.

Print influence

We then asked if the coverage in these publications influenced the respondent’s own work (i.e. discovering new releases, coloring their judgement of artists/releases, etc.).

The results (above) were clear as 85.3% answered in the affirmative.

Web sites

Next we asked which jazz-related Web sites respondents visit on a regular basis, again spotlighting eight popular choices and giving people the chance to write-in any others they prefer.

AllAboutJazz.com was the clear favorite with 77.4%, with AllMusic.com finishing a close second with 61.3%. Next came Bagatellen with 32.3%, followed by Jazz.com and NPR Music, which each earned 29%. Avant Music News (16.1%), Jazz Corner (12.9%) and PopMatters (6.5%) also got multiple votes.

A significant number of write-in votes were cast for blogs, which we tackle in the next question, but Point of Departure was a popular choice (an admitted oversight on our part), as were Pitchfork and Dusted.

Web influence

Again, the majority (82.4%) indicated that the content of these sites influence their own work.

When tackling the subject of blogs, we asked respondents to list five of their favorites. Oddly enough, more than half skipped this question completely, and only 37.5% filled in all five slots. Some even dedicated one or more of the slots to expressing their dislike for reading and/or discussing blogs at all.

The calculations don’t apply to write-ins, but the most popular choices were Destination: Out, Do The Math, Free Jazz, Jazz Beyond Jazz, Lerterland and Secret Society.

Blog influence

But this time, when we asked if what they read on these blogs influenced their own work, only 44.4% said yes.

Blog access

When it comes to accessing the blogs they read, the Web is by far the most popular way with 94.1% giving that answer. Using a built-in blog reader in one’s browser and using a stand-alone RSS feed reader represented the rest of the vote with 8.8% each.

Twitter account

Finally, we asked if any of the respondents have a Twitter account.

Unlike with the blogs, everyone who took the survey answered this question, but only 35.3% said yes.

Tomorrow we’ll look at the third section of our survey, Personal Listening Habits, which features questions about writers’ interaction with jazz radio, their preferences for format (CD, MP3 and vinyl) when purchasing music for personal use, and the amount of music they purchase in a given year.

Please stay tuned!


Reminder: Darcy James Argue At Le Poisson Rouge July 15th

July 14, 2009
© 2009 Oliver Heisch/Moers Festival

© 2009 Oliver Heisch/Moers Festival

On Wednesday, July 15th, composer/conductor Darcy James Argue will perform at New York’s Le Poisson Rouge with his 18-piece steampunk big band, Secret Society.

This event, the group’s first concert in its native New York since the release of its acclaimed debut, Infernal Machines (New Amsterdam Records), will feature the American premiere of “Hard Up on the Down Low”, a new commissioned piece Argue unveiled at Canada’s National Jazz Awards in May.

He describes the composition, which showcases longtime collaborator Ingrid Jensen’s electronically processed trumpet, as “a cheery little anthem of global financial collapse. It’s built around two Bernard Purdie beats that have been juxtaposed to create a quasi-bulería pattern.”

Its original performance, prior to his being awarded the SOCAN/CAJE Phil Nimmons Emerging Composer Award by the man himself, featured Argue conducting the all-star Darcy Hepner Orchestra. This is the first time it will be played live by his own ensemble, which the Wall Street Journal‘s Martin Johnson calls “one of the leading new big bands in jazz.”

Noted independent radio station WFMU will record the concert for future broadcast.


Darcy James Argue Profiled In The New York Observer

July 9, 2009

The New York Observer‘s Devin Leonard writes about Darcy James Argue in this week’s issue, now available online.

Argue and his 18-piece big band, Secret Society, will perform at New York’s Le Poisson Rouge on July 15th.