August 13, 2009
PopMatters.com’s Scott Hreha and The Wire‘s Philip Clark both weighed in on The Fully Celebrated’s most recent release, Drunk on the Blood of the Holy Ones (AUM Fidelity), in reviews published this week.
Overall, the arrangements musically capture the latent humor in Hobbs’ song titles and showcase the trio’s incredible rapport. Together, they’re able to shift on a dime from groove to freedom and back again, falling in and out of time as if affected by a constantly shifting series of magnetic fields.
Whether experimental or unadorned, the album’s production feels like a natural extension of the trio’s talent—something that forward-thinking jazz groups have been chasing since the 1960s, yet is rarely achieved. This, together with the solid musical performances by Hobbs and his cohorts, makes Drunk On the Blood of the Holy Ones a potent concoction that will hopefully raise the “fully celebrated” of the band’s name from tongue-in-cheek irony to reality.
“Overall, the arrangements musically capture the latent humor in [Jim] Hobbs’ song titles and showcase the trio’s incredible rapport,” Hreha writes. “Together, they’re able to shift on a dime from groove to freedom and back again, falling in and out of time as if affected by a constantly shifting series of magnetic fields… a potent concoction that will hopefully raise the ‘fully celebrated’ of the band’s name from tongue-in-cheek irony to reality.”
Clark adds, “It’s kind of annoying when someone’s been making great music since 1987 but you’ve only just found out. His sharp intensity and machine gun attack when approaching abstract funk has obvious roots in Ornette’s 1980s Prime Time principles…but Hobbs’ immersion in reggae and dub soon asserts itself. ‘Reptoid Alliance’ is peppered with saxophone multiphonics that hit on the backbeats, as he grinds against bassist Timo Shanko’s and drummer Django Carranza’s funk groove.”
March 19, 2009
Scott Hreha weighs in on the latest AUM Fidelity release, Farmers By Nature (AUM 053), in his review for PopMatters.com, posted March 18th.
He writes, “this 65-minute improvised set by drummer Gerald Cleaver, bassist William Parker and pianist Craig Taborn is a success of the highest order. It’s an auspicious debut to say the least…establishing the trio as a powerful entity via the formidable amount of magic that transpires throughout the performance.”