Darius Jones Trio At Firehouse 12 Tonight

November 20, 2009

Tonight, New Haven’s Firehouse 12 presents a two-set celebration of New York-based alto saxophonist/composer Darius Jones‘ long-awaited debut CD, Man’ish Boy (A Raw & Beautiful Thing) (AUM Fidelity).

Described by Jones as “a sonic tone poem about me and my life growing up in the South,” the record draws on such early influences as his Jamaican father’s love of reggae, the revelatory vocal music of the church and countless hours of listening to everything from classical to rock on the radio.

Heralded as “a new voice poised to receive widespread acclaim” (Troy Collins, AllAboutJazz.com), Jones brings this diverse and passionate music to life with his mentors, the eminent master musicians Cooper-Moore (piano and diddley-bo) and Rakalam Bob Moses (drums).

“On Man’ish Boy,” writes PointofDeparture.org’s Ed Hazell, “alto saxophonist Darius Jones delivers one of the most impressive debuts in recent memory, displaying a remarkably well-developed concept and individual sound. Jones has a big, fleshy, lived-in tone, with a vibrato that owes as much to Johnny Hodges as it does to Albert Ayler. It’s defiant, vulnerable, proud, and weary; there is laughter and sobbing in it.”

Jason Crane, host of The Jazz Session and columnist at PopDose.com, adds, “For his debut statement, 31-year-old Jones wanted to tell his story. To talk about what it means to be poor and black and struggling and intelligent in this day and age. Jones has fit all that and more into an incredible recording that will make you sing, make you weep and make you marvel.”

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JazzTimes: Taylor Ho Bynum, Darius Jones and Jessica Pavone

November 16, 2009


The December issue of JazzTimes arrived this weekend and with it reviews of three of our clients’ most recent releases, Taylor Ho Bynum & SpiderMonkey Strings’ Madeleine Dreams (Firehouse 12 Records), the Darius Jones Trio’s Man’ish Boy (A Raw & Beautiful Thing) (AUM Fidelity) and Jessica Pavone’s Songs of Synastry and Solitude (Tzadik).

Michael J. West called Madeleine Dreams‘ title track “a six-movement suite that intriguingly blends chamber classical, beatnik jazz, indie-rock and free improvisation, dominated by violin (Jason Kao Hwang), viola (Jessica Pavone), cello (Tomas Ulrich) and stately, evocative moods. Vocalist Kyoko Kitamura recited magical-realism vignettes, based on an acclaimed novel by Bynum’s sister, that blur the line between reality and the world of dreams…it’s a fun listen.”

Jones, 31, is a hotshot we should keep our eyes and ears on,” declared Steve Greenlee. “He’s got a raw but disciplined sound, a head full of ideas and a heart full of talent. On his debut album, he plays sweetly, melodically, plaintively, raucously and discordantly. He plays outside and in. He goes from blues to swing to free and back again. He never wastes a note or a breath.”

Jessica Pavone has begun making a name for herself in the world of modern improvised music,” wrote Mike Shanley, “but those words only go so far when trying to describe her work. Performed by members of the Toomai String Quintet (Pavone doesn’t appear on the disc), the music doesn’t reside in the frenetic free zone where the composer sometimes dwells. Each track averages about four minutes in length, with many going through a few different sections, yet the whole work flows together like a complete, compelling composition.”


Paris Transatlantic: Darius Jones Trio + Joe Morris Quartet

November 6, 2009

Clifford Allen reviews the two latest AUM Fidelity releases, the Darius Jones Trio’s Man’ish Boy (A Raw & Beautiful Thing) and the Joe Morris Quartet’s Today On Earth, in the Autumn 2009 edition of Paris Transatlantic.

“Darius Jones’ art has an incredible purity and directness—what Cooper-Moore has called a ‘yes, sir’ quality,” Allen explains. “It’s a quality he shares with Sonny Simmons, Marion Brown and Charles Tyler, but the real connection is the respect instilled through absorbing the tradition and living history of musicianship.”

In his review of Today On Earth, Allen writes, “The Joe Morris Quartet plumbs the depths of postbop, building off the skewed rapport between [Jim] Hobbs and Morris: the guitarist’s flinty plucking and behind-the-beat chords are the left hand to the altoist’s acrid right. By now Morris’s longtime working group has established a language wholly its own, an ideal springboard for spindly inversions and lean fantasias.”


Boston Phoenix: Darius Jones Trio At Outpost 186

November 5, 2009

Photo by Joel Veak

Jon Garelick reviews the Darius Jones Trio’s October 19th CD release concert at Outpost 186 in this week’s issue of the Boston Phoenix. The group, which features alto saxophonist/composer Darius Jones, multi-instrumentalist Cooper-Moore and drummer Rakalam Bob Moses, was in town celebrating Jones’ recorded debut as a bandleader, Man’ish Boy (A Raw & Beautiful Thing) on AUM Fidelity.

“To call Darius Jones’s music avant-garde seems almost beside the point,” Garelick writes. “In its way, it’s older than old—it’s ancient. Jones likes churchy old blues, boogie-woogie, and the kind of folkish tunes that Albert Ayler used to write. He also shares Ayler’s moaning, wide-vibrato tone, if not the sainted saxophonist’s taste for single-minded, iron-jawed shrieking. But Jones has his own dignified way of testifying—big, long tones that patiently build to skirling figures and ululating shouts.”


Firehouse 12 To Present The Darius Jones Trio November 20th

October 21, 2009
Photo by John Sharpe

Photo by John Sharpe

On Friday, November 20th, New Haven’s Firehouse 12 will present a two-set celebration of New York-based alto saxophonist/composer Darius Jones‘ long-awaited debut CD, Man’ish Boy (A Raw & Beautiful Thing) (AUM Fidelity). Described by Jones as “a sonic tone poem about me and my life growing up in the South,” the record draws on such early influences as his Jamaican father’s love of reggae, the revelatory vocal music of the church and countless hours of listening to everything from classical to rock on the radio. Recently heralded as “a new voice poised to receive widespread acclaim” (Troy Collins, AllAboutJazz.com), Jones brings this diverse and passionate music to life with his mentors, the eminent master musicians Cooper-Moore (piano and diddley-bo) and Rakalam Bob Moses (drums).

“On Man’ish Boy,” writes PointofDeparture.org’s Ed Hazell, “alto saxophonist Darius Jones delivers one of the most impressive debuts in recent memory, displaying a remarkably well-developed concept and individual sound. Jones has a big, fleshy, lived-in tone, with a vibrato that owes as much to Johnny Hodges as it does to Albert Ayler. It’s defiant, vulnerable, proud, and weary; there is laughter and sobbing in it.” Jason Crane, host of The Jazz Session and columnist at PopDose.com, adds, “For his debut statement, 31-year-old Jones wanted to tell his story. To talk about what it means to be poor and black and struggling and intelligent in this day and age. Jones has fit all that and more into an incredible recording that will make you sing, make you weep and make you marvel.”

Jones came to New York from his native Virginia in 2005 and has since displayed his distinctive musical voice in a wide variety of genres. Pianist/composer Matthew Shipp writes, “He is one of those rare talents that when you first hear him you scratch your head, because it’s all there—the concept, the virtuosity, a real improvisational mind. I feel really good about the future of this music knowing that a real and pure talent like Darius exists.” In addition to his own trio, Jones actively performs with Lewis Barnes’ Hampton Roads, the Cooper-Moore Trio, William Hooker’s Bliss (East), Little Women, Mike Pride’s From Bacteria to Boys and Mara Rosenbloom’s Arrival Quartet. He is also a teacher and producer of records by Korean jazz vocalist Sunny Kim and country-folk artist Mary Bragg. Learn more at http://www.myspace.com/blackdajones

2009 Fall Jazz Series Schedule:

09/18 :: Brandon Ross & Blazing Beauty
09/25 :: Matt Wilson Quartet
10/02 :: Mauger: Rudresh Mahanthappa/Mark Dresser/Gerry Hemingway
10/09 :: Steve Lehman Trio
10/16 :: Gretchen Parlato Band
10/23 :: Whirrr! The Music of Jimmy Giuffre
10/30 :: Taylor Eigsti Trio
11/06 :: ODE: Larry Ochs/Trevor Dunn/Lisle Ellis/Michael Sarin
11/13 :: The Peter Evans Quartet
11/20 :: Darius Jones Trio
12/04 :: Mary Halvorson Quintet
12/11 :: Amy Cervini Quartet
12/18 :: Daniel Levin Trio

Tickets and more information available at:
http://firehouse12.com/performance_space_calendar.asp


Darius Jones Trio x 2 Tonight

October 19, 2009
Photo by John Sharpe

Photo by John Sharpe

Not since Phil Collins did it at Live Aid has a musician played concerts on both sides of the Atlantic in a single day*, but alto saxophonist Darius Jones will come close tonight when his trio performs live at Outpost 186 in Cambridge, MA on the same night BBC 3’s Jazz on 3 presents its set from this summer’s Vision Festival 14.

The group, which just wowed the audience at AUM Fidelity‘s all-star artist showcase at Abrons Arts Center on Thursday night, is celebrating the release of Jones’ long-awaited debut as a leader, Man’ish Boy (A Raw & Beautiful Thing).

Learn more about Jones, his work in this band with mentors Cooper-Moore and Rakalam Bob Moses, and the sources of his music in an extended interview with Jason Crane on last Friday’s episode of The Jazz Session.

* This may or may not be true.


Darius Jones Trio And Joe Morris Quartet On AUM Fidelity

October 13, 2009

AUM Fidelity is proud to announce the October 13th release of the Darius Jones Trio’s Man’ish Boy (A Raw & Beautiful Thing) (AUM057) and the Joe Morris Quartet’s Today On Earth (AUM058).

The first is alto saxophonist/composer Darius Jones‘ debut recording as a leader featuring Cooper-Moore (piano and diddley-bo) and Rakalam Bob Moses (drums).

What the critics say:

“A phenomenal debut, Man’ish Boy (A Raw & Beautiful Thing) presents the singular artistry of Darius Jones; a new voice poised to receive widespread acclaim from the jazz underground.”
Troy Collins, AllAboutJazz.com

“…an incredible recording that will make you sing, make you weep and make you marvel. The best music tells you something not only about the musicians, but about yourself. Man’ish Boy is that kind of record. It’s not just good. It’s important. And we are the richer for its existence.”
Jason Crane, PopDose.com

“On Man’ish Boy, alto saxophonist Darius Jones delivers one of the most impressive debuts in recent memory, displaying a remarkably well-developed concept and individual sound. It’s defiant, vulnerable, proud, and weary; there is laughter and sobbing in it. He imbues simple melodies and phrases with huge emotional weight.”
Ed Hazell, PointofDeparture.org

The other is the second release from guitarist/composer Joe Morris‘ quartet featuring Jim Hobbs (alto saxophone), Timo Shanko (bass) and Luther Gray (drums). It’s also the third AUM Fidelity release this year to feature Morris in a prominent role (David S. Ware’s Shakti and Morris/Cancura/Gray’s Wildlife are the others).

What the critics say:

“Morris is clearly an original.”
Andy Hamilton, The Wire

“To my ears, it’s one of his best. There are moments when this band flat-out swings (Gray, again, brings the joy of propulsion to the forefront); yet, the quieter moments are among the most melodic of Morris’s long career (and he does that without the music sounding ‘commercial’). In a year that has already produced many strong CDs, this Joe Morris Quartet release should make a lot of ‘Best of..’ lists and deservedly so.”
Richard Kamins, Hartford Courant

“No one plays the guitar like Joe Morris, with sharply articulated, single-note lines delivered in a dry tone. Besides the clarity of the playing itself, what stands out is the cogency of Morris’s melodies and the tight unison lines of Morris and Hobbs that puts one in mind of the playing of Ornette Coleman and Don Cherry. Easily one of my favourite albums of this fast-waning year.”
Mike Chamberlain, HOUR

“Morris is a master of mixing total improvisational freedom with a realization that swing can be just as liberating as skronk, that a clean tone can say as much as, if not more than, a coruscating flood-tide of noise. Indeed, this album is so pretty that its adventurousness may slip right by on the first few listens. In other words, it’s worth spending time with and getting to know.”
Phil Freeman, AllMusic.com

“…Morris maintains a singular approach to the guitar, placing him in the upper echelon of present day improvisers. A brilliant follow-up to Beautiful Existence, and considerably more accessible than some of his more abstract efforts, Today On Earth is a stellar highlight in an exceptional, eclectic discography.”
Troy Collins, AllAboutJazz.com

Jones and his trio will celebrate their new release with a performance at AUM Fidelity’s artist showcase at Abrons Arts Center on Thursday night. Morris and his quartet will perform tomorrow night at The Local 269.