December 28, 2009
Nate Chinen reviews alto saxophonist/composer Darius Jones’ debut, Man’ish Boy (AUM Fidelity) featuring Cooper-Moore (piano and diddley-bow) and Rakalam Bob Moses (drums), in today’s New York Times.
“Darius Jones has the capacity for a proud, rafters-raising tone on alto saxophone,” he writes, “and as an improviser he’s fearless but disciplined. He’s fond of the sustained, piercing cry, often pinching his intonation for dramatic effect. And rhythmically he rolls in waves, an approach that brilliantly complements Mr. Moses, whose contribution throughout this album is masterly. Together with the adaptability of Cooper-Moore—who plays piano as well as diddley bow, a single-stringed instrument of African origin and Southern blues connotation—it adds up to a powerfully soulful blend.”
October 11, 2009
© DAZDI 2009
We’re very pleased to report that today’s New York Times features a review of The Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue Music) by Ben Ratliff.
“A jazz singer who makes her notes slow, wide and meaningful—she often sounds like an evening-out of Betty Carter and Abbey Lincoln—Fay Victor uses a great and simple concept on The FreeSong Suite (Greene Avenue Music)…a studio recording organized like a live set. This means the band flows from one song into another, without knowing where it’s going next…these songs have distinct melodic character: fascinating ballads with Anders Nilsson’s country-bluesy guitar soloing, drum chants, some careful free improvising.”