Firehouse 12 To Present Taylor Ho Bynum & SpiderMonkey Strings November 21st

November 17, 2008

On Friday, November 21st, cornetist/composer Taylor Ho Bynum and his improvising chamber jazz ensemble, SpiderMonkey Strings, will present the New Haven premiere of his innovative secular oratorio, Madeleine Dreams, at Firehouse 12.  Inspired by the novel Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by his sister, Sarah Shun-lien Bynum, the piece draws text from the book while further exploring its theme of “the logic of dreams.”  SpiderMonkey Strings, which takes its name from two mythical tricksters, Anansi the Spider of West Africa and the Monkey King of China, features Kyoko Kitamura (vocals and electronics), Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums).

“Cornetist Taylor Ho Bynum is at the forefront of a younger generation of creative musicians in New York,” writes AllAboutJazz.com’s John Sharpe. “He combines thrilling improvisation with stealthy composition, unconfined by genre.”  Other critics agree, calling him “one of the most exciting figures in jazz’s new power generation” (Steve Dollar, Time Out Chicago), “a strong cornetist and serious-minded composer with experimental tendencies” (Nate Chinen, New York Times) and “an agile and creative improviser who sounds like no one but himself” (Chris Kelsey, JazzTimes).  Jazzwise reviewer Kevin Le Gendre adds, “Bynum is thinking outside of the jazz box without getting trapped inside another in the process.”

Bynum’s expansive resume includes a wide variety of work with both his contemporaries and legendary figures alike, most notably the iconic saxophonist/composer Anthony Braxton, with whom he has performed and recorded extensively over the past decade.  His most recent recordings as a bandleader include The Middle Picture (Firehouse 12, 2007), featuring his trio/sextet, and True Events (482 Music, 2007), a recording of cornet/percussion duets with Fujiwara that veteran jazz writers Howard Mandel, Brian Morton and K. Leander Williams, among others, included on their top 10 lists for the year.  In addition to leading his own bands, Bynum is a member of such groups as Jason Kao Hwang’s Edge and the large ensembles of creative music legends Bill Dixon and Cecil Taylor.  He is also a curator for the annual Festival of New Trumpet Music (FONT) in New York and a partner in the Firehouse 12 Records label.  

2008 Fall Jazz Series Schedule:

09/19: Steve Lantner Trio 
09/26: Conference Call  
10/03: Ned Rothenberg’s Sync
10/10: Shakers n’ Bakers   
10/17: Josh Roseman’s Execution Quintet
10/24: Bad Touch
10/31: Magic 
11/07: George Schuller’s Circle Wide
11/14: Jamie Baum Septet
11/21: Taylor Ho Bynum & SpiderMonkey Strings
12/05: The Flatlands Collective 
12/12: Donny McCaslin Trio

Tickets and more information available at:
http://firehouse12.com/performance_space_calendar.asp

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Taylor Ho Bynum Tour Moves to Boston Sunday Night

November 15, 2008


Sunday, November 16th at 3:00 p.m.
Taylor Ho Bynum & SpiderMonkey Strings
Hammond Performing Arts Series
The Boston Center for the Arts (BCA)
539 Tremont Street in Boston, MA (South End)
MBTA: Green Line (Copley); Orange Line (Back Bay); Bus #43

Taylor Ho Bynum, cornet; Kyoko Kitamura, voice and electronics; Jason Kao Hwang, violin; Jessica Pavone, viola; Tomas Ulrich, cello; Pete Fitzpatrick, guitar; Joseph Daley, tuba; Luther Gray, drums

Cornetist/composer Taylor Ho Bynum will follow-up his two-night stand at New York’s Jazz Gallery with a free Sunday afternoon concert at the Boston Center for the Arts featuring his improvising chamber ensemble, SpiderMonkey Strings.

The group will be presenting the Boston premiere of Bynum’s innovative secular oratorio, Madeleine Dreams, which it will record at the end of the tour for its forthcoming 2009 release on Firehouse 12 Records.

Inspired by the novel Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by Bynum’s sister, Sarah Shun-lien Bynum, the piece draws text from the book while further exploring its theme of the logic of dreams, a recurring thread in Bynum’s work as a composer.


Reminder: Taylor Ho Bynum’s November Tour Comes to New York’s Jazz Gallery Friday and Saturday

November 13, 2008

 

On Friday, November 14th and Saturday, November 15th, cornetist/composer Taylor Ho Bynum will perform with three of his own bands over the course of two nights at New York’s Jazz Gallery.  These performances are part of a larger tour celebrating both the release of the Taylor Ho Bynum Sextet’s second recording, Asphalt Flowers Forking Paths (hatOLOGY 675), and the most recent performances of his secular oratorio, Madeleine Dreams, with his improvising chamber jazz ensemble, Taylor Ho Bynum & SpiderMonkey Strings.  The latter will be recorded at the end of the tour for Firehouse 12 Records.

Bynum will kick-off his two-night stand on Friday night at 9:00 p.m. with an opening set by his longstanding trio, featuring fellow Boston natives, Mary Halvorson (guitar) and Tomas Fujiwara (drums).  His sextet, which on this night will augment his trio with Jason Kao Hwang (violin and viola), Matt Bauder (tenor sax and clarinet) and Evan O’Reilly (guitar), will then perform a 10:30 p.m. set featuring music from its latest CD.  The following night, Taylor Ho Bynum & SpiderMonkey Strings will perform Madeleine Dreams, as well as other original material and music by Ornette Coleman, Duke Ellington and Sun Ra, at 9:00 and 10:30 p.m.  The group will feature Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums), with special guest, Kyoko Kitamura (vocals and electronics).

The Taylor Ho Bynum Sextet’s multiple guitar line-up was inspired by bands such as Miles Davis’ Dark Magus and Agharta groups, Ornette Coleman’s Prime Time and Henry Threadgill’s Very Very Circus.  Two chordal instruments, along with the rest of the flexible and unusual instrumentation, also allows Bynum to juxtapose independent sub-ensembles within a larger group (including the core trio), a compositional method inspired by the music of Charles Ives and Anthony Braxton.  Critics called the group’s 2007 debut, The Middle Picture (Firehouse 12 Records), “consistently compelling listening” (Time Out New York) and “the shape of jazz to come” (Philip Clark, The Wire), noting that the band “is like no other outfit around” (Brent Burton, JazzTimes).

Named after two mythic tricksters, Anansi the Spider of West Africa and the Monkey King of China, SpiderMonkey Strings has performed a diverse range of Bynum’s extended suites with a genre-defying spirit and distinctive sense of humor.  In March 2008, the group presented the world premiere performance of Madeleine Dreams at Roulette in New York before embarking on a tour of Belgium and The Netherlands.  The piece was inspired by the novel Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by Bynum’s sister, Sarah Shun-lien Bynum, drawing text from the book and further exploring its theme of “the logic of dreams,” a recurring thread in Bynum’s work as a composer.  The band will document Madeleine Dreams in the studio on November 22nd after additional performances in Boston and New Haven as the follow-up to its 2003 debut, Other Stories [Three Suites] (482 Music).

“Cornetist Taylor Ho Bynum is at the forefront of a younger generation of creative musicians in New York,” writes AllAboutJazz.com’s John Sharpe. “He combines thrilling improvisation with stealthy composition, unconfined by genre.”  Other critics agree, calling him “one of the most exciting figures in jazz’s new power generation” (Steve Dollar, Time Out Chicago), “a strong cornetist and serious-minded composer with experimental tendencies” (Nate Chinen, New York Times) and “an agile and creative improviser who sounds like no one but himself” (Chris Kelsey, JazzTimes).  Jazzwise reviewer Kevin Le Gendre adds, “Bynum is thinking outside of the jazz box without getting trapped inside another in the process.”

Bynum’s expansive resume includes a wide variety of work with both his contemporaries and legendary figures alike, most notably the iconic saxophonist/composer Anthony Braxton, with whom he has performed and recorded extensively over the past decade.  Along with The Middle Picture, his most recent releases as a bandleader include True Events (482 Music, 2007), a recording of cornet/percussion duets with Tomas Fujiwara that veteran jazz writers Howard Mandel, Brian Morton and K. Leander Williams, among others, included on their top 10 lists for the year.  In addition to leading his own bands, Bynum is a member of such groups as Jason Kao Hwang’s Edge and the large ensembles of Bill Dixon and Cecil Taylor.  He is also a curator for the annual Festival of New Trumpet Music (FONT) in New York and a partner in New Haven’s Firehouse 12 Records label.  Learn more at http://www.taylorhobynum.com