Fay Victor’s The FreeSong Suite Released Today

September 22, 2009

Today is the official street date for The Fay Victor Ensemble‘s latest release, The FreeSong Suite (Greene Avenue Music).

This is New York-based vocalist/composer Fay Victor‘s sixth recording as a leader and her second with this longstanding group, which features guitarist Anders Nilsson, bassist Ken Filiano and drummer Michael “TA” Thompson.

The FreeSong Suite documents Ms. Victor’s new stream of consciousness approach to creative vocal music, which accentuates spontaneity and improvisation by removing traditional boundaries between individual songs and genres.

It features three long-form pieces made up of smaller compositions that flow in and out of each other as a running dialog.

CD release performances are set for October 1st in New York at Roulette and October 4th at The Rotunda in Philadelphia.

Ms. Victor, who co-curates the weekly Evolving Voice Vocal Series at New York’s The Local 269 in conjunction with Rise Up Creative Music & Arts (RUCMA), will also be performing throughout the fall with projects such as Fay Victor’s Jazz Vault, The Exposed Blues Duo and Twisted Standards and Free Explorations with Hilliard Greene, Dom Minasi and special guest Oleg Kireyev.

Learn more at http://fayvictor.wordpress.com

Three AUM Fidelity Titles On Culture Catch’s Top 10 Avant-Jazz Albums of 2008

January 6, 2009

 aum-logo-webIn 2008, AUM Fidelity, in association with Arts for Art, Inc., released a series of three live recordings from Vision Festival XII in 2007. Each documented a large-scale piece, written by Roy Campbell, Bill Dixon and William Parker respectively, commissioned by, and premiered at, the festival.

All three of these releases are included on Culture Catch’s Best New Avant-Jazz Albums of 2008 list, written by Downtown Music Gallery’s Bruce Gallanter, who included a blurb about each.

On Roy Campbell’s Akhenaten Suite:
The sound of this quintet (which also includes violinist Billy Bang, vibraphonist Bryan Carrott, bassist Hill Greene, and drummer Zen Matsuura) is much like an early ’70s Blue Note date, always swinging infectiously. This was one of the most enchanting sets of last year’s Vision Festival and it still sounds wonderful on disc.

On Bill Dixon’s 17 Musicians In Search Of A Sound: Darfur:
I’ve caught professor/composer Bill Dixon on a number of occasions; sometimes his group is just great and sometimes they are amazing. This set was by far the best I’ve heard from him. 

On William Parker’s Double Sunrise Over Neptune:
An outstanding work and perhaps Parker’s finest moment yet!