December 2, 2009
The December issue of AllAboutJazz-New York arrived this weekend and with it new reviews of guitarist/composer Garrison Fewell‘s latest, Variable Density Sound Orchestra (Creative Nation Music), and bassist/composer John Hébert‘s debut, Byzantine Monkey (Firehouse 12 Records).
“For the descriptively-titled Variable Density Sound Orchestra,” writes Lyn Horton, “guitarist Garrison Fewell has assembled a group whose members expertly develop the thematic content central to the pieces on the album. Even when the musical lines tend to go in multiple contrapuntal directions, the group behaves as one coherent unit, highlighting certain instruments.”
Stuart Broomer calls Hébert “a musician whose bass is confident in the foreground and whose compositions consistently merge strong musical ideas with forceful emotions. While he has already distinguished himself as a bassist, this is a striking debut as a bandleader for Hébert, the group’s sound, empathy and collective identity all testifying to his focused originality.”
November 16, 2009
The December issue of JazzTimes arrived this weekend and with it reviews of three of our clients’ most recent releases, Taylor Ho Bynum & SpiderMonkey Strings’ Madeleine Dreams (Firehouse 12 Records), the Darius Jones Trio’s Man’ish Boy (A Raw & Beautiful Thing) (AUM Fidelity) and Jessica Pavone’s Songs of Synastry and Solitude (Tzadik).
Michael J. West called Madeleine Dreams‘ title track “a six-movement suite that intriguingly blends chamber classical, beatnik jazz, indie-rock and free improvisation, dominated by violin (Jason Kao Hwang), viola (Jessica Pavone), cello (Tomas Ulrich) and stately, evocative moods. Vocalist Kyoko Kitamura recited magical-realism vignettes, based on an acclaimed novel by Bynum’s sister, that blur the line between reality and the world of dreams…it’s a fun listen.”
“Jones, 31, is a hotshot we should keep our eyes and ears on,” declared Steve Greenlee. “He’s got a raw but disciplined sound, a head full of ideas and a heart full of talent. On his debut album, he plays sweetly, melodically, plaintively, raucously and discordantly. He plays outside and in. He goes from blues to swing to free and back again. He never wastes a note or a breath.”
“Jessica Pavone has begun making a name for herself in the world of modern improvised music,” wrote Mike Shanley, “but those words only go so far when trying to describe her work. Performed by members of the Toomai String Quintet (Pavone doesn’t appear on the disc), the music doesn’t reside in the frenetic free zone where the composer sometimes dwells. Each track averages about four minutes in length, with many going through a few different sections, yet the whole work flows together like a complete, compelling composition.”