Paris Transatlantic: Darius Jones Trio + Joe Morris Quartet

November 6, 2009

Clifford Allen reviews the two latest AUM Fidelity releases, the Darius Jones Trio’s Man’ish Boy (A Raw & Beautiful Thing) and the Joe Morris Quartet’s Today On Earth, in the Autumn 2009 edition of Paris Transatlantic.

“Darius Jones’ art has an incredible purity and directness—what Cooper-Moore has called a ‘yes, sir’ quality,” Allen explains. “It’s a quality he shares with Sonny Simmons, Marion Brown and Charles Tyler, but the real connection is the respect instilled through absorbing the tradition and living history of musicianship.”

In his review of Today On Earth, Allen writes, “The Joe Morris Quartet plumbs the depths of postbop, building off the skewed rapport between [Jim] Hobbs and Morris: the guitarist’s flinty plucking and behind-the-beat chords are the left hand to the altoist’s acrid right. By now Morris’s longtime working group has established a language wholly its own, an ideal springboard for spindly inversions and lean fantasias.”

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Harris Eisenstadt’s Canada Day Out Today

October 6, 2009


Drummer/composer Harris Eisenstadt‘s latest release, Canada Day (Clean Feed), officially hits the streets today.

The record, the Toronto native’s eighth as a bandleader, is the debut of his primary working ensemble, also called Canada Day, featuring Nate Wooley (trumpet), Matt Bauder (tenor saxophone), Chris Dingman (vibraphone) and Eivind Opsvik (bass).

It documents his original book of music for the group, which was written for the specific musical personalities of these musicians and developed in live performances in New York and beyond over the past three years.

“The material on the group’s self-titled album is as exciting as it is diverse,” declares Dusted‘s Marc Medwin, “with any clichés about group telepathy sounding entirely appropriate. Precision and spontaneity make every gesture simultaneously soloistic and supportive as the structures wend their complex but catchy ways forward. He’s the lynchpin of an exciting aggregate.”

“Drawing upon some of the best new talent in the Brooklyn scene,” explains AllAboutJazz.com’s Troy Collins, “Eisenstadt’s formidable quintet is as capable of adventurous timbral explorations as they are of in-the-pocket swing. Blending a mid-’60s Blue Note vibe with elastic post-rock grooves and subtle West African influences, Eisenstadt successfully unites his assorted interests into a cohesive ensemble sound. An accessible blend of inside and outside traditions delivered by an empathetic young ensemble, Canada Day is a welcome addition to the burgeoning discography of one of the new generation’s leading composers.”

AllMusic.com’s Michael G. Nastos adds, “A composer of great depth and diversity, Eisenstadt proves a fine trap drummer for this recording, and a formidable bandleader who deserves more recognition in both areas. The cohesion of the ensemble, glued by the steady, steaming, streaming rhythms of Eisenstadt, keeps the listener focused and compelled to hear more…this is a strong candidate for Top Ten status in the category of best jazz CDs of 2009.”

You can learn more about Eisenstadt, Canada Day, and his many other projects in a new interview by Clifford Allen posted yesterday at AllAboutJazz.com

And, the band will be celebrating its new release with Northeast tour dates in New York, Toronto, Buffalo and Rochester starting October 24th. Details are available here.


Dragon’s Head Reviewed At Bagatellen

February 2, 2009

Clifford Allen’s review of the Mary Halvorson Trio’s acclaimed debut, Dragon’s Head (Firehouse 12 Records), is now posted at Bagatellen.

Allen writes, “Halvorson’s approach to writing this music draws as much—if not more—from contemporary left-field rock as it does free improvisation or jazz, and it just might happen that Dragon’s Head is the best indie-rock record to have come down the pike in quite a while.”