Three AUM Fidelity Titles On Culture Catch’s Top 10 Avant-Jazz Albums of 2008

January 6, 2009

 aum-logo-webIn 2008, AUM Fidelity, in association with Arts for Art, Inc., released a series of three live recordings from Vision Festival XII in 2007. Each documented a large-scale piece, written by Roy Campbell, Bill Dixon and William Parker respectively, commissioned by, and premiered at, the festival.

All three of these releases are included on Culture Catch’s Best New Avant-Jazz Albums of 2008 list, written by Downtown Music Gallery’s Bruce Gallanter, who included a blurb about each.

On Roy Campbell’s Akhenaten Suite:
The sound of this quintet (which also includes violinist Billy Bang, vibraphonist Bryan Carrott, bassist Hill Greene, and drummer Zen Matsuura) is much like an early ’70s Blue Note date, always swinging infectiously. This was one of the most enchanting sets of last year’s Vision Festival and it still sounds wonderful on disc.

On Bill Dixon’s 17 Musicians In Search Of A Sound: Darfur:
I’ve caught professor/composer Bill Dixon on a number of occasions; sometimes his group is just great and sometimes they are amazing. This set was by far the best I’ve heard from him. 

On William Parker’s Double Sunrise Over Neptune:
An outstanding work and perhaps Parker’s finest moment yet!


AAJ-NY’s Best Of 2008

December 30, 2008

We’re pleased to report that several of our clients are honored in AllAboutJazz-New York‘s Best of 2008 feature in the January 2009 issue. Please find the details below.

The complete issue, also featuring a cover story on William Parker, is available free in venues and jazz-related sites all over New York and downloadable as a PDF by clicking here.

Congratulations to all the musicians, labels and organizations named among the year’s best.

Record Labels of the Year:
AUM Fidelity

Performances of the Year:
Billy Bang/Kidd Jordan/William Parker/Hamid Drake @ Vision Festival XIII
William Parker’s Inside Songs of Curtis Mayfield @ Vision Festival XIII

Albums of the Year:
Mario Pavone, Trio Arc (Playscape Recordings)

Vocal Releases of the Year:
Yoon Sun Choi/Jacob Sacks, Imagination: The Music of Joe Raposo (Yeah Yeah Records) 

Tribute Recordings of the Year:
Yoon Sun Choi/Jacob Sacks, Imagination: The Music of Joe Raposo (Yeah Yeah Records) 

Debut Albums of the Year:
Mary Halvorson Trio, Dragon’s Head (Firehouse 12 Records) 

Honorable Mention:
Bill Dixon, 17 Musicians In Search Of A Sound: Darfur (Arts for Art/AUM Fidelity) 
Garrison Fewell/Eric Hofbauer, The Lady of Khartoum (Creative Nation Music)
Nicole Mitchell, Xenogenesis Suite: A Tribute To Octavia Butler (Firehouse 12 Records)
William Parker, Double Sunrise Over Neptune (Arts for Art/AUM Fidelity)
William Parker Quartet, Petit Oiseau (AUM Fidelity)
George Schuller’s Circle Wide, Like Before, Somewhat After (Playscape Recordings)


Vision Festival XIII Reviewed in the December Issue of Jazz Improv NY

December 11, 2008

This just in from our better-late-than-never bureau, writer Ken Weiss’ extensive review of Vision Festival XIII, held in New York this past June, graces the pages of the December issue of Jazz Improv NY.  

The review, which spans four pages, including an entire page of original photos, covers a wide range of performances from three of the six nights of the festival, as well as the Saturday afternoon Emerging Artist Showcase.

It’s a great way to get a feel for the diversity of this seminal week-long event, which Weiss calls “New York City’s premier annual avant-garde mystical happening.”  He adds, “this festival continues to serve as the foundation that stabilizes the city’s creative jazz music scene, offering a meeting place for fans (many of whom come from Europe each year) and fellow musicians to experience some of the current integral soundshapers and also for industry types to congregate and make new connections with artists.”

If you don’t live in New York, where the magazine is distributed free at venues and other jazz-related sites, you can download this month’s issue, with Jimmy Heath on the cover, here (PDF).  The review begins on page 10.