Mary Halvorson Performances In June

June 2, 2009
Photo by Peter Gannushkin

Photo by Peter Gannushkin

Guitarist/composer Mary Halvorson will begin the month in Europe, with a quick stop in Italy before a short three country tour with the Taylor Ho Bynum Sextet.

She then returns to New York for sidewoman gigs with Bynum, pianist Kris Davis (at The BLOOM Festival) and drummer Tomas Fujiwara, as well as a performance of her longstanding duo with violist Jessica Pavone at Skirl Party VI.

Her June schedule concludes on Sunday the 28th at Joe’s Pub with a performance by her Trio/Quintet.

Borghini/Halvorson/Honsinger/Fujiwara 
06/03: Venue TBA (Bologna, Italy)

Taylor Ho Bynum Sextet 
06/05: Taktlos Festival (Zurich, Switzerland)
06/06: Kerava Jazz Festival (Kerava, Finland)
06/08: Stadtgardten (Cologne, Germany)

Kris Davis Trio
06/18: Tea Lounge (Brooklyn, NY)

Taylor Ho Bynum Trio
06/19: Kampo Bahal Gallery (New York, NY)

Mary Halvorson & Jessica Pavone
06/23: Public Assembly (Brooklyn, NY)

Tomas Fujiwara & The Hook Up
06/27: Jalopy Theatre (Brooklyn, NY)

Mary Halvorson Trio & Quintet
06/28: Joe’s Pub (New York, NY)


Vision Festival XIII Reviewed in the December Issue of Jazz Improv NY

December 11, 2008

This just in from our better-late-than-never bureau, writer Ken Weiss’ extensive review of Vision Festival XIII, held in New York this past June, graces the pages of the December issue of Jazz Improv NY.  

The review, which spans four pages, including an entire page of original photos, covers a wide range of performances from three of the six nights of the festival, as well as the Saturday afternoon Emerging Artist Showcase.

It’s a great way to get a feel for the diversity of this seminal week-long event, which Weiss calls “New York City’s premier annual avant-garde mystical happening.”  He adds, “this festival continues to serve as the foundation that stabilizes the city’s creative jazz music scene, offering a meeting place for fans (many of whom come from Europe each year) and fellow musicians to experience some of the current integral soundshapers and also for industry types to congregate and make new connections with artists.”

If you don’t live in New York, where the magazine is distributed free at venues and other jazz-related sites, you can download this month’s issue, with Jimmy Heath on the cover, here (PDF).  The review begins on page 10.