December 16, 2009
Philip Clark reviews alto saxophonist/composer Darius Jones‘ acclaimed debut, Man’ish Boy (A Raw & Beautiful Thing) on AUM Fidelity, featuring Cooper-Moore (piano and diddley-bo) and Rakalam Bob Moses (drums), in the January 2010 issue of The Wire.
“His sound evokes Albert Ayler’s cry-point vibrato,” Clark writes, “but Virginia-born alto saxophonist Darius Jones is no idle clone—with expressive glissandi as opulently sensual as that of Johnny Hodges, and a knack for flipping innocent melodic utterances into lines fraught with chancy harmonic and rhythmic ambiguities, Jones’s concept is proudly his own. This record poses big questions about the relationship between the African-American tradition of spirituals, blues and gospel, and now.”
December 10, 2009
John Sharpe’s review of alto saxophonist/composer Darius Jones’ debut, Man’ish Boy (A Raw & Beautiful Thing) on AUM Fidelity, was posted yesterday at AllAboutJazz.com.
The record, which Jones’ calls “a sonic tone poem about me and my life growing up in the South,” also features the eminent master musicians Cooper-Moore (piano and diddley-bo) and Rakalam Bob Moses (drums).
Sharpe called it “one of the strongest offerings of the year” and added, “Jones has a talent for penning intensely emotional themes, which provide a fertile launching pad for his vibrato-laden alto preaching…it is the valedictory, elegiac ‘Forgive Me’ which marks the highlight of the album…it sounds like a newly found spiritual, with some of most beautiful sounds ever committed to disc.”