iC Media Poll Results: Part 2

July 20, 2009

Print publications

Today we explore the results from the second of five sections of our recent survey of 50 prominent jazz writers and editors.

This section, called Web and print habits, asked about the jazz-related publications, blogs and Web sites these professionals are reading, how they access them, and if what they read there impacts their own work.

As shown in the chart above, we first asked respondents to indicate which of the eight major jazz magazines they read on a regular basis. The list, which featured English-language publications only, included AllAboutJazz-New York, Cadence, DownBeat, Jazz Improv, Jazziz, JazzTimes, Signal To Noise and The Wire. We also made it possible for people to write-in any other publications as well.

The clear winner was AllAboutJazz-New York with 54.5%. The runner-up was Signal to Noise with 51.5%, followed by DownBeat and JazzTimes, which each scored 48.5%. The Wire (39.4%) and Cadence (18.2%) were next, while Jazziz and Jazz Improv each scored less than 10%.

One write-in vote each was cast for Cuadernos de JazzCoda, Improjazz, Jazz Journal and Ritmos del Mundo.

Print influence

We then asked if the coverage in these publications influenced the respondent’s own work (i.e. discovering new releases, coloring their judgement of artists/releases, etc.).

The results (above) were clear as 85.3% answered in the affirmative.

Web sites

Next we asked which jazz-related Web sites respondents visit on a regular basis, again spotlighting eight popular choices and giving people the chance to write-in any others they prefer.

AllAboutJazz.com was the clear favorite with 77.4%, with AllMusic.com finishing a close second with 61.3%. Next came Bagatellen with 32.3%, followed by Jazz.com and NPR Music, which each earned 29%. Avant Music News (16.1%), Jazz Corner (12.9%) and PopMatters (6.5%) also got multiple votes.

A significant number of write-in votes were cast for blogs, which we tackle in the next question, but Point of Departure was a popular choice (an admitted oversight on our part), as were Pitchfork and Dusted.

Web influence

Again, the majority (82.4%) indicated that the content of these sites influence their own work.

When tackling the subject of blogs, we asked respondents to list five of their favorites. Oddly enough, more than half skipped this question completely, and only 37.5% filled in all five slots. Some even dedicated one or more of the slots to expressing their dislike for reading and/or discussing blogs at all.

The calculations don’t apply to write-ins, but the most popular choices were Destination: Out, Do The Math, Free Jazz, Jazz Beyond Jazz, Lerterland and Secret Society.

Blog influence

But this time, when we asked if what they read on these blogs influenced their own work, only 44.4% said yes.

Blog access

When it comes to accessing the blogs they read, the Web is by far the most popular way with 94.1% giving that answer. Using a built-in blog reader in one’s browser and using a stand-alone RSS feed reader represented the rest of the vote with 8.8% each.

Twitter account

Finally, we asked if any of the respondents have a Twitter account.

Unlike with the blogs, everyone who took the survey answered this question, but only 35.3% said yes.

Tomorrow we’ll look at the third section of our survey, Personal Listening Habits, which features questions about writers’ interaction with jazz radio, their preferences for format (CD, MP3 and vinyl) when purchasing music for personal use, and the amount of music they purchase in a given year.

Please stay tuned!


Morris/Cancura/Gray’s Wildlife Released Today On AUM Fidelity

July 14, 2009

Today is the official street date for Wildlife (AUM056), the debut of the new collective ensemble of the same name featuring Joe Morris, Petr Cancura and Luther Gray.

It is also Morris’ first release as a leader/co-leader for the label since his 2001 solo guitar recording, Singularity (AUM018), and the second of the three 2009 releases on the label to feature him in a prominent role. The others are David S. Ware’s Shakti (AUM052) and the Joe Morris Quartet’s Today on Earth (AUM058), coming in October.

The band will celebrate its release this Friday night at Barbès in Brooklyn and at The Local 269 in Manhattan on Monday, August 10th.

Here’s a sample of this record’s enthusiastic reception thus far:

“This album is a masterful showcase for three brilliant musicians.”
Phil Freeman, AllMusic.com

“The album’s four long tracks were spontaneously conceived and Mr. Morris steers the action with bullish clarity, whether he’s plucking tangled clusters or walking four beats to the bar. His rapport with Mr. Gray, a regular colleague, runs impressively deep. More surprising is his bond with Mr. Cancura, a relative newcomer (to me, at least) whose robust exertions on alto and tenor access free-jazz legacies from both sides of the Atlantic.”
Nate Chinen, New York Times

“…a thoroughly assured outing. Certainly no one takes the back seat, but Cancura’s engagement with various post-bop options is undoubtedly the heart of this group’s vitality. It’s his robust sound and its dynamic presence that galvanises Gray and Morris, who are clearly loving it.”
Julian Cowley, The Wire

“This music is collectively improvised, the result of a spontaneous process made with a deep awareness of decades of free jazz practice…the players are free to be themselves, to draw at will from a continuum of ideas about how to interact, and to perhaps show a side that they don’t elsewhere.”
Bill Meyer, Dusted

“The trio’s congenial interplay is superlative, whether careening through the quicksilver changes of ‘Nettle’ or extrapolating the somber motifs of ‘Crow.’ A compelling document of the saxophone trio tradition as a democratic exchange of ideas, Wildlife presents three masterful improvisers at the top of their game.”
Troy Collins, AllAboutJazz.com


The Fully Celebrated Live In Brooklyn & Boston

May 28, 2009
Photo by Lillian Shrank

Photo by Lillian Shrank

The Fully Celebrated will fully celebrate their new CD, Drunk on the Blood of the Holy Ones (AUM Fidelity), at tonight’s concert at Barbès in Brooklyn and tomorrow night’s show at Ryles Jazz Club in Cambridge, MA.

In his CD review in this week’s Time Out New York, Steve Dollar writes, “Boston free-bird Jim Hobbs and his trio, the Fully Celebrated, get it, and the proof is in its latest sweat-soaked album, Drunk on the Blood of the Holy Ones. The disc has that airy, open feel and loose-limbed instinct that make the music immediately appealing, as well as an Ornette-ish pedigree in Hobbs’s darting alto saxophone flights. Timo Shanko’s basslines sometimes recall the clean harmonic mesh and folksy charm of Charlie Haden, but with drummer Django Carranza, the rhythm section glides seamlessly from dubby textures to bucket-of-blood swagger.”

For more early reviews, check out AllAboutJazz.com, All Music Guide, the Boston Phoenix and Music & More.


New Darcy James Argue Reviews

May 25, 2009


Check out these new reviews of Darcy James Argue’s Infernal Machines (New Amsterdam Records) at AllAboutJazz.com, Hour and Doug Ramsey’s Rifftides.


Darcy James Argue’s Infernal Machines Released Today

May 12, 2009

Today is the official street date for Infernal Machines (New Amsterdam Records), the long-awaited studio debut of composer Darcy James Argue’s Secret Society.

I could go ahead and tell you that the media, both jazz and the other kinds, have come out in unanimous support of this one, but showing you is probably the more effective way to go.

So, you can go here to check out some of Darcy’s favorite pull quotes, or you can go right to the source and read the original pieces in publications such as AllAboutJazz.com (feature), AllAboutJazz.com (review), NewMusicBox.org, the New York Times, Newsweek, NPRMusic.com, the Ottawa Citizen, Time Out New York and the Village Voice.

Lots more coverage of this one is on the way, so please stay tuned.

FYI, the group will be performing at the Bimhuis in Amsterdam (May 28th), Domicil in Dortmund, Germany (May 29th), the Moers Festival in Moers, Germany (May 31st), and the International House in Philadelphia, PA (June 5th) as part of the Ars Nova Workshop series.

The Vancouver native will also premiere a new, specially commissioned work at Canada’s National Jazz Awards on May 14th to be performed by the all-star Darcy Hepner Jazz Orchestra.