The Boston Phoenix‘s resident jazz aficionado Jon Garelick reflects on his 10 favorite moments of the year in this week’s issue.
“Call what Garrison Fewell does composition or simply strategies for improvisation,” Garelick writes. “Whatever, the guitarist formerly known as one of Boston’s most eloquent inside players has become one of its leading experimenters. On this year’s Variable Density Sound Orchestra (Creative Nation Music), Fewell gathered some superb improvisers—among them frequent guitar-duo partner (and CNM honcho) Eric Hofbauer, New York trumpeter Roy Campbell, and Italian bass-clarinettist Achille Succi—and they, following his spare instructions and often graphic scores, created a suite of ‘variable density’ and unforced lyricism, all with compositional integrity.”
“Alto-saxophonist Jones, 31, now lives in Brooklyn (natch),” Garelick continues, “but he hails from rural Virginia, and he likes churchy old blues, boogie-woogie, and the kind of folkish tunes that Albert Ayler used to write. On Man’ish Boy (AUM Fidelity), his music sounds older than old—ancient, in fact—but also completely up to the minute. Working with Boston drummer Bob Moses and New Yorker Cooper-Moore (who plays piano and his homemade diddley bow), Jones delivers forceful melodies with a just-discovered freshness. The trio’s show at Outpost 186 in October was a standout.”