PopMatters.com’s Scott Hreha and The Wire‘s Philip Clark both weighed in on The Fully Celebrated’s most recent release, Drunk on the Blood of the Holy Ones (AUM Fidelity), in reviews published this week.
“Overall, the arrangements musically capture the latent humor in [Jim] Hobbs’ song titles and showcase the trio’s incredible rapport,” Hreha writes. “Together, they’re able to shift on a dime from groove to freedom and back again, falling in and out of time as if affected by a constantly shifting series of magnetic fields… a potent concoction that will hopefully raise the ‘fully celebrated’ of the band’s name from tongue-in-cheek irony to reality.”
Clark adds, “It’s kind of annoying when someone’s been making great music since 1987 but you’ve only just found out. His sharp intensity and machine gun attack when approaching abstract funk has obvious roots in Ornette’s 1980s Prime Time principles…but Hobbs’ immersion in reggae and dub soon asserts itself. ‘Reptoid Alliance’ is peppered with saxophone multiphonics that hit on the backbeats, as he grinds against bassist Timo Shanko’s and drummer Django Carranza’s funk groove.”