Taylor Ho Bynum & SpiderMonkey Strings At Jazz Gallery Tomorrow

September 18, 2009

Photo by Scott Friedlander

Tomorrow night, cornetist/composer Taylor Ho Bynum and his improvising chamber ensemble, SpiderMonkey Strings, will celebrate the release of their second recording, Madeleine Dreams (Firehouse 12 Records), with a two-set performance at New York’s Jazz Gallery.

The centerpiece of the record is Bynum’s six-movement title suite—what he calls a secular oratorio—based on his sister’s novel, Madeleine is Sleeping (Harcourt). It also features his distinctive arrangements of music by Ornette Coleman, Duke Ellington and Sun Ra that corresponds with the recording’s central theme of “the logic of dreams.”

This is the most recent in a string of well-received recordings featuring Bynum as a leader/co-leader that includes Positive Catastrophe’s Garabatos Volume One (Cuneiform Records), The Thirteenth Assembly’s (un)sentimental (Important Records), and the Taylor Ho Bynum Sextet’s Asphalt Flowers Forking Paths (hatOLOGY).

Created seven years ago, Taylor Ho Bynum & SpiderMonkey Strings currently features Kyoko Kitamura (voice), Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums).


New Taylor Ho Bynum CD Released Today

September 15, 2009
Photo by Scott Friedlander

Photo by Scott Friedlander

Cornetist/composer Taylor Ho Bynum‘s latest recording as a leader, Madeleine Dreams (Firehouse 12 Records), officially hits the streets today.

The second release from his improvising chamber group, SpiderMonkey Strings, the record documents the title suite, a secular oratorio the group has been performing at concerts around the world since early 2008, as well as innovative arrangements of music by Ornette Coleman, Duke Ellington and Sun Ra.

This seven year-old ensemble features Kyoko Kitamura (voice), Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums).

Bynum and the group will celebrate with two sets at New York’s Jazz Gallery on Saturday, September 19th.

In his listing for the performance in the Village Voice, Jim Macnie writes, “Whether he’s making cinematic soundscapes for snippets of his sister’s surrealistic novel, or bringing a heavenly tone to such earthy fare as Ellington’s ‘The Mooche,’ the cornet player makes music that places nuance on the top of the priority list. The vocals are fetching and flighty; the repertory choices discerning and deft.”


New CD From Taylor Ho Bynum & SpiderMonkey Strings Coming September 15th

June 17, 2009
Photo by Scott Friedlander

Photo by Scott Friedlander

On September 15th, Firehouse 12 Records will release Madeleine Dreams (FH12-04-01-011), the second recording from cornetist/composer Taylor Ho Bynum‘s improvising chamber ensemble, SpiderMonkey Strings. The seven year-old group features Kyoko Kitamura (voice), Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums).

The centerpiece of this release is Bynum’s titular composition, a six-movement secular oratorio inspired by Madeleine is Sleeping (Harcourt), a 2004 novel written by his sister, Sarah Shun-lien Bynum, and its theme of the logic of dreams. The piece, which the band has performed on tour since its March 2008 debut at New York’s Roulette, draws text from the book, a magical-realist fable of a girl’s coming of age that moves between dreams and reality in 19th century France. Madeleine Dreams also documents Bynum’s distinctive arrangements of music by Ornette Coleman, Duke Ellington and Sun Ra.

“Dreams, and the literature of dreaming, including the work of such authors as Borges, Murakami, Okri, and Calvino, are an ongoing artistic inspiration for me,” writes Bynum in the liner notes. “The logic of dreams shows how radically yet naturally one’s subconscious can transform known elements into the surreal, seamlessly moving between the mundane and the fantastic. The remaining pieces are by three of my musical heroes, each of whom embraced dreams, mythology, and fiction in his own way. I also like the idea of SpiderMonkey Strings as a most unusual kind of repertory band.”

Named after two mythical tricksters, Anansi the Spider of West Africa and the Monkey King of China, Taylor Ho Bynum & SpiderMonkey Strings has performed a diverse range of extended suites with a genre-defying spirit and an amiable sense of humor since 2002. The band first took shape as a string quartet with cornet and guitar created to perform music Bynum wrote for a short film score. He later added tuba and drums and began writing eclectic long-form works for the group, which he documented on its 2005 debut, Other Stories [Three Suites] (482 Music). The recent addition of Ms. Kitamura furthers the evolution of the group’s sound by bringing the implicit narrative elements of Bynum’s music to the forefront.

Critics have called Bynum “a young brass master and compelling composer” (Jon Garelick, Boston Phoenix), “a remarkable writer, improviser and bandleader” (Troy Collins, AllAboutJazz.com) and “one of the most exciting figures in jazz’s new power generation” (Steve Dollar, Time Out Chicago). “Over the past decade,” wrote Kevin Le Gendre in Jazzwise, “Bynum has shown himself to be a worthy addition to the canon of maverick trumpeters that includes such illustrious names as Wadada Leo Smith, Ron Miles, Cuong Vu and Arve Henrikson.” The Chicago Reader‘s Peter Margasak adds, “Taylor Ho Bynum cemented his reputation as one of the most compelling and progressive trumpeters and bandleaders currently active, at home in every corner of the creative-music map.”

Bynum’s expansive resume includes collaborations with both his contemporaries and legendary figures alike, most notably the iconic saxophonist/composer Anthony Braxton, with whom he has performed and recorded extensively over the past decade. His most recent releases as a leader/co-leader include Positive Catastrophe’s Garabatos Volume One (Cuneiform Records), The Thirteenth Assembly’s (un)sentimental (Important Records), and the Taylor Ho Bynum Sextet’s Asphalt Flowers Forking Paths (hatOLOGY). He is also a member of such groups as The Convergence Quartet, Jason Kao Hwang’s Edge, the Joe Morris Bass Quartet and the large ensembles of Bill Dixon and Cecil Taylor. In addition, he is a curator and board member for the Festival of New Trumpet (FONT) Music and a partner in Firehouse 12 Records.

Learn more at http://www.taylorhobynum.com


Bill Dixon’s Latest CD Among The Wire’s Top 50 of 2008

December 8, 2008

Legendary trumpeter/composer/educator Bill Dixon’s most recent release, 17 Musicians in Search of a Sound: Darfur (Arts for Art/AUM Fidelity), is #19 on The Wire’s Top 50 of 2008 as listed in the January 2009 issue.  

This live concert recording, the first collection of all original orchestral music released under Dixon’s name since 1967’s momentous Intents and Purposes (RCA Victor), documents the world premiere performance of the specially commissioned, hour-long titular work at Vision Festival XII in 2007.   

Dixon’s AUM Fidelity label mate, William Parker, earned a spot on the magazine’s Best of 2008 list in the Jazz & Improv category for his own live orchestral recording, Double Sunrise Over Neptune, also specially commissioned by, and performed at, Vision Festival XII.

Guitarist/composer Mary Halvorson’s highly acclaimed debut as a leader, Dragon’s Head (Firehouse 12 Records), was also voted one of the year’s best in that category. 

Congratulations to all the artists involved and those who helped make these recordings possible.


Firehouse 12 To Present Taylor Ho Bynum & SpiderMonkey Strings November 21st

November 17, 2008

On Friday, November 21st, cornetist/composer Taylor Ho Bynum and his improvising chamber jazz ensemble, SpiderMonkey Strings, will present the New Haven premiere of his innovative secular oratorio, Madeleine Dreams, at Firehouse 12.  Inspired by the novel Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by his sister, Sarah Shun-lien Bynum, the piece draws text from the book while further exploring its theme of “the logic of dreams.”  SpiderMonkey Strings, which takes its name from two mythical tricksters, Anansi the Spider of West Africa and the Monkey King of China, features Kyoko Kitamura (vocals and electronics), Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums).

“Cornetist Taylor Ho Bynum is at the forefront of a younger generation of creative musicians in New York,” writes AllAboutJazz.com’s John Sharpe. “He combines thrilling improvisation with stealthy composition, unconfined by genre.”  Other critics agree, calling him “one of the most exciting figures in jazz’s new power generation” (Steve Dollar, Time Out Chicago), “a strong cornetist and serious-minded composer with experimental tendencies” (Nate Chinen, New York Times) and “an agile and creative improviser who sounds like no one but himself” (Chris Kelsey, JazzTimes).  Jazzwise reviewer Kevin Le Gendre adds, “Bynum is thinking outside of the jazz box without getting trapped inside another in the process.”

Bynum’s expansive resume includes a wide variety of work with both his contemporaries and legendary figures alike, most notably the iconic saxophonist/composer Anthony Braxton, with whom he has performed and recorded extensively over the past decade.  His most recent recordings as a bandleader include The Middle Picture (Firehouse 12, 2007), featuring his trio/sextet, and True Events (482 Music, 2007), a recording of cornet/percussion duets with Fujiwara that veteran jazz writers Howard Mandel, Brian Morton and K. Leander Williams, among others, included on their top 10 lists for the year.  In addition to leading his own bands, Bynum is a member of such groups as Jason Kao Hwang’s Edge and the large ensembles of creative music legends Bill Dixon and Cecil Taylor.  He is also a curator for the annual Festival of New Trumpet Music (FONT) in New York and a partner in the Firehouse 12 Records label.  

2008 Fall Jazz Series Schedule:

09/19: Steve Lantner Trio 
09/26: Conference Call  
10/03: Ned Rothenberg’s Sync
10/10: Shakers n’ Bakers   
10/17: Josh Roseman’s Execution Quintet
10/24: Bad Touch
10/31: Magic 
11/07: George Schuller’s Circle Wide
11/14: Jamie Baum Septet
11/21: Taylor Ho Bynum & SpiderMonkey Strings
12/05: The Flatlands Collective 
12/12: Donny McCaslin Trio

Tickets and more information available at:
http://firehouse12.com/performance_space_calendar.asp


Taylor Ho Bynum Tour Moves to Boston Sunday Night

November 15, 2008


Sunday, November 16th at 3:00 p.m.
Taylor Ho Bynum & SpiderMonkey Strings
Hammond Performing Arts Series
The Boston Center for the Arts (BCA)
539 Tremont Street in Boston, MA (South End)
MBTA: Green Line (Copley); Orange Line (Back Bay); Bus #43

Taylor Ho Bynum, cornet; Kyoko Kitamura, voice and electronics; Jason Kao Hwang, violin; Jessica Pavone, viola; Tomas Ulrich, cello; Pete Fitzpatrick, guitar; Joseph Daley, tuba; Luther Gray, drums

Cornetist/composer Taylor Ho Bynum will follow-up his two-night stand at New York’s Jazz Gallery with a free Sunday afternoon concert at the Boston Center for the Arts featuring his improvising chamber ensemble, SpiderMonkey Strings.

The group will be presenting the Boston premiere of Bynum’s innovative secular oratorio, Madeleine Dreams, which it will record at the end of the tour for its forthcoming 2009 release on Firehouse 12 Records.

Inspired by the novel Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by Bynum’s sister, Sarah Shun-lien Bynum, the piece draws text from the book while further exploring its theme of the logic of dreams, a recurring thread in Bynum’s work as a composer.


Reminder: Taylor Ho Bynum’s November Tour Comes to New York’s Jazz Gallery Friday and Saturday

November 13, 2008

 

On Friday, November 14th and Saturday, November 15th, cornetist/composer Taylor Ho Bynum will perform with three of his own bands over the course of two nights at New York’s Jazz Gallery.  These performances are part of a larger tour celebrating both the release of the Taylor Ho Bynum Sextet’s second recording, Asphalt Flowers Forking Paths (hatOLOGY 675), and the most recent performances of his secular oratorio, Madeleine Dreams, with his improvising chamber jazz ensemble, Taylor Ho Bynum & SpiderMonkey Strings.  The latter will be recorded at the end of the tour for Firehouse 12 Records.

Bynum will kick-off his two-night stand on Friday night at 9:00 p.m. with an opening set by his longstanding trio, featuring fellow Boston natives, Mary Halvorson (guitar) and Tomas Fujiwara (drums).  His sextet, which on this night will augment his trio with Jason Kao Hwang (violin and viola), Matt Bauder (tenor sax and clarinet) and Evan O’Reilly (guitar), will then perform a 10:30 p.m. set featuring music from its latest CD.  The following night, Taylor Ho Bynum & SpiderMonkey Strings will perform Madeleine Dreams, as well as other original material and music by Ornette Coleman, Duke Ellington and Sun Ra, at 9:00 and 10:30 p.m.  The group will feature Jason Kao Hwang (violin), Jessica Pavone (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba) and Luther Gray (drums), with special guest, Kyoko Kitamura (vocals and electronics).

The Taylor Ho Bynum Sextet’s multiple guitar line-up was inspired by bands such as Miles Davis’ Dark Magus and Agharta groups, Ornette Coleman’s Prime Time and Henry Threadgill’s Very Very Circus.  Two chordal instruments, along with the rest of the flexible and unusual instrumentation, also allows Bynum to juxtapose independent sub-ensembles within a larger group (including the core trio), a compositional method inspired by the music of Charles Ives and Anthony Braxton.  Critics called the group’s 2007 debut, The Middle Picture (Firehouse 12 Records), “consistently compelling listening” (Time Out New York) and “the shape of jazz to come” (Philip Clark, The Wire), noting that the band “is like no other outfit around” (Brent Burton, JazzTimes).

Named after two mythic tricksters, Anansi the Spider of West Africa and the Monkey King of China, SpiderMonkey Strings has performed a diverse range of Bynum’s extended suites with a genre-defying spirit and distinctive sense of humor.  In March 2008, the group presented the world premiere performance of Madeleine Dreams at Roulette in New York before embarking on a tour of Belgium and The Netherlands.  The piece was inspired by the novel Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by Bynum’s sister, Sarah Shun-lien Bynum, drawing text from the book and further exploring its theme of “the logic of dreams,” a recurring thread in Bynum’s work as a composer.  The band will document Madeleine Dreams in the studio on November 22nd after additional performances in Boston and New Haven as the follow-up to its 2003 debut, Other Stories [Three Suites] (482 Music).

“Cornetist Taylor Ho Bynum is at the forefront of a younger generation of creative musicians in New York,” writes AllAboutJazz.com’s John Sharpe. “He combines thrilling improvisation with stealthy composition, unconfined by genre.”  Other critics agree, calling him “one of the most exciting figures in jazz’s new power generation” (Steve Dollar, Time Out Chicago), “a strong cornetist and serious-minded composer with experimental tendencies” (Nate Chinen, New York Times) and “an agile and creative improviser who sounds like no one but himself” (Chris Kelsey, JazzTimes).  Jazzwise reviewer Kevin Le Gendre adds, “Bynum is thinking outside of the jazz box without getting trapped inside another in the process.”

Bynum’s expansive resume includes a wide variety of work with both his contemporaries and legendary figures alike, most notably the iconic saxophonist/composer Anthony Braxton, with whom he has performed and recorded extensively over the past decade.  Along with The Middle Picture, his most recent releases as a bandleader include True Events (482 Music, 2007), a recording of cornet/percussion duets with Tomas Fujiwara that veteran jazz writers Howard Mandel, Brian Morton and K. Leander Williams, among others, included on their top 10 lists for the year.  In addition to leading his own bands, Bynum is a member of such groups as Jason Kao Hwang’s Edge and the large ensembles of Bill Dixon and Cecil Taylor.  He is also a curator for the annual Festival of New Trumpet Music (FONT) in New York and a partner in New Haven’s Firehouse 12 Records label.  Learn more at http://www.taylorhobynum.com


Follow

Get every new post delivered to your Inbox.