June 30, 2009

Photo by Lindsay Beyerstein
Playscape Recordings will officially welcome The Fonda/Stevens Group to its roster with the September 29th release of Memphis (PSR#033108), the eminent ensemble’s 11th recording. Only the fourth studio release in the band’s two-decade existence, Memphis was recorded at the end of a week-long March 2008 U.S. tour. The Fonda/Stevens Group is co-led by bassist/composer Joe Fonda and pianist/composer Michael Jefry Stevens and features trumpeter Herb Robertson and drummer Harvey Sorgen.
Memphis takes its name from Stevens’ composition, “Memphis Ramble,” one of ten tracks documented here for the first time. The subject matter of the piece, which features a spoken word section developed spontaneously during its first performance, deals with his move from Brooklyn to Memphis to be with his wife, who teaches poetry at Rhodes College. Coincidentally, it was the poetry of the city’s name that appealed to Fonda. “When Mike suggested we call the record Memphis,” he recalls, “I just liked the sound of the word —the poetry of it. And, Memphis is a musical melting pot, just like The Fonda/Stevens Group.”
Known as “one of the great and often under-appreciated jazz groups of the modern era” (Steven Loewy, All Music Guide), critics have credited the band with playing “with equal precision and passion” (Peter Margasak, JazzTimes) and “a combination of recognizable creativity and courageous new experimentation” (Christian Carey, Signal to Noise). “The quartet of Fonda, Stevens, Sorgen and Robertson continues to mine territory that defies categorization,” adds AllAboutJazz.com Managing Editor John Kelman. “Everyone demonstrates a fine ability to skirt the edges of convention, while at the same time stretching its boundaries.”
Active collaborators since 1984, when they first worked together as sidemen with saxophonist Mark Whitecage, Fonda and Stevens founded their own band after the 1990 demise of another all-star ensemble, The Mosaic Sextet. The Fonda/Stevens Group began as a quintet, and toured with some transitional personnel following Whitecage’s departure in 1999, but has operated primarily as a quartet with its four remaining original members for the past decade. Although based in America, the band found early success touring abroad and recording for European labels, and has built its longstanding reputation on the world stage. Learn more at http://www.joefonda.digitalspace.net and http://www.michaeljefrystevens.com
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General, Playscape | Tagged: christian carey, fonda/stevens group, harvey sorgen, herb robertson, joe fonda, john kelman, mark whitecage, memphis, michael jefry stevens, mosaic sextet, peter margasak, Playscape, steven loewy |
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June 30, 2009
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General, Mary Halvorson, Taylor Ho Bynum | Tagged: anthony braxton, creative music institute, diamond curtain wall, happy whistlings, joelle lenadre, Mary Halvorson, myra melford, nicole mitchell, north sea jazz, paul plimley, pomigliano, Taylor Ho Bynum, tomas fujiwara, vancouver jazz |
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June 29, 2009

The Mary Halvorson Trio/Quintet at Joe's Pub 6/28/09
Nate Chinen reviews the Mary Halvorson Trio & Quintet’s Sunday night gig at New York’s Joe’s Pub in a post on his new blog, The Gig.
“Halvorson specializes in strangely tuneful provocations, and that was as true on Sunday as it is throughout Dragon’s Head, her excellent debut, released last year on Firehouse 12,” Chinen writes.
He adds, “I caught the first public appearance of this [new] group at Roulette in February, and can happily attest that it has come a long way since. The music felt appealingly roomy, with enough looseness to allow for solo engagement.”
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Firehouse 12, General, Mary Halvorson | Tagged: dragon's head, joe's pub, John Hebert, jon irabagon, jonathan finlayson, Mary Halvorson, nate chinen, the gig, tomas fujiwara |
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June 29, 2009

“If you enjoy the efforts of Gil Evans, Bob Brookmeyer, Carla Bley, Maria Schneider, Guillermo Klein, NOJO or Jason Lindner’s big band in modern times,” writes Michael G. Nastos in his newly posted review of Infernal Machines at AllMusic.com, “you’ll surely enjoy this finely crafted effort from Argue, supported by a combination of New York veterans and newcomers.”
He adds, “The combined layering of sounds, vibrant color palate, and marvelous inventive writing makes for some startling and satisfying original music played by some very impressive musicians.”
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General, Secret Society/Darcy James Argue | Tagged: all music guide, amg, bob brookmeyer, carla bley, darcy james argue, gil evans, guillermo klein, infernal machines, jason lindner, Maria Schneider, michael g. nastos, new amsterdam, NOJO, Secret Society/Darcy James Argue |
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June 29, 2009

Sean Fitzell reviews The Thirteenth Assembly’s debut CD, (un)sentimental (Important Records), in the July issue of AllAboutJazz-New York.
“Guitarist Mary Halvorson, violist Jessica Pavone, cornetist Taylor Ho Bynum and drummer Tomas Fujiwara have longstanding duo and trio permutations and to end their concerts, they convene as a quartet and have forged a distinct identity from the subgroups within,” he explains.
“With committed performances drawn from intertwined histories and diverse stylistic influences, The Thirteenth Assembly exemplifies how a practical strategy can reveal a novel creative opportunity.”
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General, Mary Halvorson, Taylor Ho Bynum | Tagged: (un)sentimental, 13A, AAJ-NY, important records, improv, jazz, Jessica Pavone, Mary Halvorson, Taylor Ho Bynum, tomas fujiwara |
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June 26, 2009

Photo by Peter Gannushkin
Guitarist/composer Mary Halvorson will perform with her newest project, an expanded version of her trio featuring trumpeter Jonathan Finlayson and saxophonist Jon Irabagon, at Joe’s Pub in New York this Sunday, June 28th at 7:00 p.m.
Check out these listings in Time Out New York and The New York Times.
If you can’t wait that long, or you just can’t get enough Mary Halvorson, you can also catch her and Finlayson performing with Tomas Fujiwara & The Hook Up at Brooklyn’s Jalopy Theater on Saturday night at 9:00.
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General, Mary Halvorson |
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June 26, 2009

Phil Freeman’s review of the forthcoming Joe Morris/Petr Cancura/Luther Gray recording, Wildlife (AUM Fidelity), is now posted at AllMusic.com.
He writes, “There’s a lot of Ayler in Cancura’s tone; he’s a powerful player with a strong sense of melody, always retaining an essential cohesion within his solos, even at their most fervid. Gray is all over the kit, guiding the other two men and maintaining a forceful momentum…Morris’ bass playing is as fascinating as ever. This album is a masterful showcase for three brilliant musicians.”
The record officially hits the streets July 14th.
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Uncategorized | Tagged: all music guide, AUM Fidelity, joe morris, luther gray, petr cancura, phil freeman, wildlife |
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June 25, 2009

Photo by Chad Batka for The New York Times
Ben Ratliff reviews Tuesday night’s CD release performance by Carl Maguire’s Floriculture at Brooklyn’s Monkey Town in today’s New York Times.
The band, which features Maguire (keyboards), Stephanie Griffin (viola), Oscar Noriega (clarinets), John Hébert (bass) and Dan Weiss (drums), was performing music from its new release, Sided Silver Solid (Firehouse 12 Records).
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Firehouse 12, General | Tagged: ben ratliff, carl maguire, dan weiss, Firehouse 12, floriculture, John Hebert, monkey town, new york times, oscar noriega, sided silver solid, stephanie griffin |
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